two matching pairs of large antique corbels, dating from the 1870’s, featuring an elegant, curving design. These wooden brackets are in good antique condition; please  More »

two matching pairs of large antique corbels, dating from the 1870’s, featuring an elegant, curving design. These wooden brackets are in good antique condition; please note that one corbel is a different color from the others. Each of the four corbels measures 27 ½” tall, 13 ¼” deep, and 3 5/8” thick. THE PRICE LISTED IS FOR EACH PAIR; THERE ARE TWO PAIRS AVAILABLE. Item # NPC7-RW   « Less

Four matching industrial-style antique brass pendant lights with their original milk glass shades, circa 1910. Each pendant features a simple brass canopy with the pendant  More »

Four matching industrial-style antique brass pendant lights with their original milk glass shades, circa 1910. Each pendant features a simple brass canopy with the pendant body hanging from a sleek cord. The light has a saucer-shaped milk glass shade. These light fixtures are in excellent condition; they have been professionally rewired and come with all the necessary attachments for modern installation, as well as the bulbs pictured. The shades are also in excellent condition with no cracks or breaks, just the expected fleabites around the rims. Each pendant body measures 7” wide, 4 ¾” tall without the bulb, and 30” long (length is adjustable). THE PRICE LISTED IS FOR EACH PENDANT; THERE ARE FOUR AVAILABLE. Additional light bulbs are available.   « Less

SOLD The sculptures, probably Shiva and Uma, convey the beauty that is distinctive of works of the 11th century Baphuon period. It is speculated that these sculptures were  More »

SOLD The sculptures, probably Shiva and Uma, convey the beauty that is distinctive of works of the 11th century Baphuon period. It is speculated that these sculptures were excavated from the same site; it’s rare to find sculptures that were originally created as a pair. The Shiva wears a sampot that is wrapped around his waist, pulled between his legs and tied in the front; the texture of the fabric is represented by finely carved striations. The excess material falls in stylized folds over the garment that is depicted as a series of folds. The sampot is held together with a belt. The intricate belt that secures the garment is positioned low on the hips and is elaborately ornamented suggesting sovereignty. The portion of the garment that covers the back is fashioned higher than the front. The features of the face are imbued with tenderness and solitude. The vertical tresses of his hair are fashioned into a jatamukuta, (symbolic of his ascetic powers or of being an ascetic), and the unique inverted cone-shaped usnisa is surmounted by a gem radiance. Most often in Baphuon art, whether the sculptures are in commemoration of prior rulers, or of a god or goddess, they are depicted smiling, with powerful upper bodies, slender waists and are typically less monumental in scale than the sculptures of other Khmer periods. The Baphuon style is an understated yet sensuous treatment of the human body that is naturalistically rendered. They have not been encumbered by extensive ornamentation, yet lavish attention has been given to the details of the clothing and belts. The stylization of the back of the garment being higher in the back than the front is typical to the sculptures of the 11th century, Baphuon style, as is the thick proportionate modeling of the legs and ankles, that allowed the statues to be free standing. The lovely sculpture of a goddess or deified queen is elegantly proportioned and exhibiting the characteristic harmony typical of the Baphuon style. Her face has a sweet gentle expression and her faintly smiling mouth is full and sensuous. The plaited vertical tresses of her hair are fashioned into a jatamukuta that is surmounted with a lotus medallion that is held in place by a similarly fashioned band. The curvature of her voluptuous body is realistically rendered, with full breasts, feminine abdomen and pronounced hips and buttocks. The snug fitting sarong is folded in narrow pleats, represented by incised linear striations that are meticulous in their uniformity. The excessive edges of the sarong are tied in a flat knot and form a fishtail fold that terminates at the hemline. An ornamental belt that secures the garment is positioned low on her hips implying elevated status. No attributes remain to more specifically identify her. These sculptures have excellent provenance; they were originally purchased in the 1960’s from a gallery on Madison Avenue in New York City. An expert on Southeast Asian art reviewed and authenticated these sculptures. Male Deity: Height w/o base 22.25”, with base 25” Female Deity: Height w/o base 23.5”, with base 26”   « Less

SOLD This is a fine sandstone head; in Bayon style 12th or early 13th century, of Lokeshvara also known as Avalokiteshavara. It is very idealized; it is probably a  More »

SOLD This is a fine sandstone head; in Bayon style 12th or early 13th century, of Lokeshvara also known as Avalokiteshavara. It is very idealized; it is probably a portrait of King Jayavarman VII, rather than a divine image. The meditative “Bayon smile” that so masterfully plays on his lips conveys great tenderness and brings a sense of light and life to the sculpture. The lowered eyelids curve naturalistically, and the incised pupils gaze down between the half opened eyelids. The realistically rendered eyebrows flow naturally into his forehead. The powerful forehead leads naturally in to his finely plaited hair, which is swept up in an elaborate mass of small triangular curls. The base of the chignon is decorated with an image of Amitabha, Lokeshvara’s spiritual father, shown seated in meditation. . In approximately 1219 Jayavarman VII’s reign came to an end and Indravarman II ascended the throne. As the new ruler he reintroduced Shivaism, spawning a period of intolerance that was unique in the Khmer civilization. Nearly all Buddhist images and statuary were destroyed making this fine example of the head of Lokeshvara very rare. . Condition: Very good, originally this head was part of a larger sculpture but was separated in ancient times. The lower tip of the left ear is missing and at the lower tip of the right ear a small chip is missing. The surface shows age, wear from the elements and deposits from burial. . The sculpture was originally purchased in June of 1965 from a gallery in Miami, Florida. It was reviewed and authenticated by an expert in Southeast Asian art. . Height without base 12.6” and 15.75” including the base; width 6.75”   « Less

An exquisite 18th Century Louis XVI Period white mottled marble top bouillotte and/or gueridon table with pierced brass gallery, the finely inlaid cube parquetry apron of  More »

An exquisite 18th Century Louis XVI Period white mottled marble top bouillotte and/or gueridon table with pierced brass gallery, the finely inlaid cube parquetry apron of varied exotic woods incorporating a single frieze drawer and a candle slide; above squared, tapering legs with string inlay boarder, ending in original brass sabots with casters. France, c. 1790. Dimensions: 29 1/2:" H x 23 3/4" diameter. Shipping extra. Connecticut residents and buyers picking up in Connecticut add 6% state sales tax. Buyers outside the USA are responsible for any taxes,tariffs or customs that might apply. *** If you wish to see examples of similar items we have sold and/or appraised please go to our affiliate site www.OneofaKindAntiques.com and click the Archives / Homepage logo ***   « Less

Rome, ca. 1st-2nd century A.D. Hammered bronze pail / situla with concentric ring circle decoration on underside of base and under rim. Bail handle decorated with segmented  More »

Rome, ca. 1st-2nd century A.D. Hammered bronze pail / situla with concentric ring circle decoration on underside of base and under rim. Bail handle decorated with segmented concentric ring elements; separately cast female headed bail attachments; finely-incised segmented rim. Overall blue-green patina with scattered red oxides. 6"D, a few very minor shallow surface dents, missing tiny tip of bail finial, otherwise excellent. Provenance: Ex-private New York State Collection. Authenticity Guaranteed   « Less

A English Victorian Linen Press. 19th century Ref.: 04995Height [cm]: 205 Width [cm]: 147 Depth [cm]: 59

A English Victorian Linen Press. 19th century Ref.: 04995Height [cm]: 205 Width [cm]: 147 Depth [cm]: 59   « Less

A Swiss armoire fribourgeoise, walnut, 2 doors. 18th century.Ref.: 02974 Height[cm]:213 Width[cm]:161 Depth[cm]:52

A Swiss armoire fribourgeoise, walnut, 2 doors. 18th century.Ref.: 02974 Height[cm]:213 Width[cm]:161 Depth[cm]:52   « Less

A Swiss little armoire Louis XV, walnut, 2 doors and 2 shelves. 18th century.Ref.: 04006 Height [cm]:137 Width [cm]:143 Depth [cm]:41

A Swiss little armoire Louis XV, walnut, 2 doors and 2 shelves. 18th century.Ref.: 04006 Height [cm]:137 Width [cm]:143 Depth [cm]:41   « Less

A cherrywooden vitrine with 4 doors. Rhombical marquetry on the bottom doors. Switzerland, 19th century. Ref.: 03171 Height [cm]: 175 Width [cm]: 108 Depth [cm]: 35

A cherrywooden vitrine with 4 doors. Rhombical marquetry on the bottom doors. Switzerland, 19th century. Ref.: 03171 Height [cm]: 175 Width [cm]: 108 Depth [cm]: 35   « Less