Henry Ward Ranger, American, 1858-1919, oil on canvas mounted to masonite, "Summer Landscape", 18 1/4 x 25 3/4 inches, signed "RANGER NAD D13" lower left, identified on  More »

Henry Ward Ranger, American, 1858-1919, oil on canvas mounted to masonite, "Summer Landscape", 18 1/4 x 25 3/4 inches, signed "RANGER NAD D13" lower left, identified on presentation plaque, inscribed "...registered by National Academy" in pencil on reverse. A leader of the tonalist movement in America, Ranger was an important figure in the establishment of the Old Lyme, Connecticut art colony in 1899. It was during his youth in New York city that he was first exposed to the French Barbizon style. Traveling to France and Holland, he was further influenced by the atmospheric realism of the French Barbizon and Dutch Hague schools. His return to America brought him to the Old Lyme art colony where he remained an influential figure until the arrival of Childe Hassam and other impressionists.   « Less

Richard Bishop, American, 1887-1975, etching, "Getting Out", image size: 8 3/4 x 14 7/8 inches, pencil signed and titled, signed "R E Bishop" in the plate lower right,  More »

Richard Bishop, American, 1887-1975, etching, "Getting Out", image size: 8 3/4 x 14 7/8 inches, pencil signed and titled, signed "R E Bishop" in the plate lower right, framed. Formally trained as an engineer, Bishop was a primarily self-taught artist. His pictures of Canadian Geese were used as the basis for the third Federal Duck Stamp.   « Less

George Elbert Burr, American, 1859-1939, etching, "High Street, Oxford", image size: 9 3/4 x 11 13/16 inches, pencil signed and titled, monogram "GB" lower left, framed. A  More »

George Elbert Burr, American, 1859-1939, etching, "High Street, Oxford", image size: 9 3/4 x 11 13/16 inches, pencil signed and titled, monogram "GB" lower left, framed. A largely self-taught artist, Burr's etchings are featured in many prominent collections and museums, including the Smithsonian American Art Museum and the Congressional Library in Washington D.C.   « Less

Samuel Chamberlain, American, 1895-1975, drypoint etching, "Mediterranean Village, Villefranche-sur-Mer", image size: 8 7/16 x 11 3/4 inches, 1938, cat. Chamberlain and  More »

Samuel Chamberlain, American, 1895-1975, drypoint etching, "Mediterranean Village, Villefranche-sur-Mer", image size: 8 7/16 x 11 3/4 inches, 1938, cat. Chamberlain and Kingsland-272, about 300 proofs and one working proof, pencil signed lower right. This print is also known as "The Harbor, Villefranche-sur-Mer."   « Less

Asa Cheffetz, American, 1896-1965, wood engraving, "Deserted Farm (Vermont)", image size: 5 1/2 x 8 7/8 inches, Cat. Museum of Fine Arts, Springfield, Mass-91, c. 1950,  More »

Asa Cheffetz, American, 1896-1965, wood engraving, "Deserted Farm (Vermont)", image size: 5 1/2 x 8 7/8 inches, Cat. Museum of Fine Arts, Springfield, Mass-91, c. 1950, published by Associated American Artists, pencil signed lower right.   « Less

Chauncey Foster Ryder, American, 1869-1949, etching, "Honister Pass", image size: 9 7/8 x 8 inches, pencil signed. Known as a New England painter, Ryder had a distinctive  More »

Chauncey Foster Ryder, American, 1869-1949, etching, "Honister Pass", image size: 9 7/8 x 8 inches, pencil signed. Known as a New England painter, Ryder had a distinctive style.   « Less

Ernest Roth, American, 1879-1964, oil on canvas board, "In the Gardens", 6 3/4 x 8 1/2 inches, initialed "E.R." lower right.

Ernest Roth, American, 1879-1964, oil on canvas board, "In the Gardens", 6 3/4 x 8 1/2 inches, initialed "E.R." lower right.   « Less

Felix Bracquemond, French, 1833-1914, etching, "Flock of Teal Alighting", image size: 12 1/8 x 9 11/16 inches, artist's proof, signed in plate lower right, pencil signed  More »

Felix Bracquemond, French, 1833-1914, etching, "Flock of Teal Alighting", image size: 12 1/8 x 9 11/16 inches, artist's proof, signed in plate lower right, pencil signed lower right. Provenance: Frederick Keppel & Co.   « Less

Chauncey Foster Ryder, American, 1869-1949, etching, "Lowell Mountain Farm", image size: 8 x 10 inches, pencil signed and titled. This richly inked etching is printed on  More »

Chauncey Foster Ryder, American, 1869-1949, etching, "Lowell Mountain Farm", image size: 8 x 10 inches, pencil signed and titled. This richly inked etching is printed on crown watermarked laid paper with ample margins.   « Less

John Taylor Arms, American, 1887-1953, etching, "Apple Tree", image size: 7 1/16 x 7 7/8 inches, 1920, cat. Fletcher-67, trial proof, edition of 75, printed by Frederick  More »

John Taylor Arms, American, 1887-1953, etching, "Apple Tree", image size: 7 1/16 x 7 7/8 inches, 1920, cat. Fletcher-67, trial proof, edition of 75, printed by Frederick Reynold, pencils signed with inscription "To Frederick Reynold." Alternate titled include "The Blighted Tree, Fairfield" and "La Pommier."   « Less