As the technology of ceramic production increased significantly with the development of kilns and low-temperature lead-glaze ware during the Han Dynasty, the nature of  More »

As the technology of ceramic production increased significantly with the development of kilns and low-temperature lead-glaze ware during the Han Dynasty, the nature of ceramic work became more geared toward practical uses and large scale production. Covered with a fine mat impression, this vessel exemplifies the beauty of minimalist decoration common among practical forms of pottery. The shape of this particular vessel, found also among early glazed ware vessels of the Shang Dynasty, had been perfected by the peak of the Han Dynasty. Its symmetrical balance and fluid curvature attests to advanced techniques and better workmanship. A widened belly dramatizes its appearance as its short-rimmed neck adds to the exaggeration. Though made for practical purposes, it hasn't abandoned the artistic standards of taste; rather it has rose to achieve a middle ground between utility and beauty. The ceramic artisan of the Han Dynasty is accredited for revolutionizing China's ceramic industry, paving the way for the development of fine porcelain in later days. - (H.515)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Green and brown glaze vessels of the Han Dynasty are generally based on bronze predecessors but feature distinctive variations that are quite pleasing. This small dark brown-glazed hu is notable for its elegant simplicity. Three parallel bands rendered in low relief decorate the surface of the exterior at the join of the neck and the shoulder. The mouth is emphasized with a gently flaring rim that projects slightly from the neck. The gorgeous dark brown glaze differentiates this vessel from similar works in bronze, which are otherwise identical in shape and form. Over the ages, the glaze has acquired a beautiful, soft iridescent patina. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens. A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although this vessel would have functioned as a wine container in life, it was found discovered buried in a tomb. A symbol for the bountiful pleasures of life, for drinking and feasting, this hu would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.601)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Green and brown glaze vessels of the Han Dynasty are generally based on bronze predecessors but feature distinctive variations that are quite pleasing. This small ochre-glazed hu is notable for its elegant simplicity. Incised bands the surface of the exterior at the join of the neck and the shoulder and at the widest swelling of the body. The mouth is emphasized with a gently flaring rim that projects slightly from the neck. The gorgeous ochre glaze differentiates this vessel from similar works in bronze, which are otherwise identical in shape and form. The diversity of colors is perhaps the foremost advantage of terracotta works compared to their bronze counterparts. Although this vessel would have functioned as a wine container in life, it was found discovered buried in a tomb. A symbol for the bountiful pleasures of life, for drinking and feasting, this hu would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.603)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Green and brown glaze vessels of the Han Dynasty are generally based on bronze predecessors but feature distinctive variations that are quite pleasing. This green-glazed ding is notable for its elegant decorations. The lid is embellished with a central roundel featuring two overlapping fish. This design is framed by a band adorned with a swirling geometric abstract pattern rendered in low relief while a serrated motif marks the outer edge of the lid. The presence of the fish no doubt relates to the function of this vessel. Dings were originally crafted in bronze and used to cook foods, hung over the fire by its high handles. However, the function would evolve from the preparation of foods to the presentation and serving of meals at festival rites and ceremonies. This ding rests on three legs molded to imitate horse hooves. The gorgeous green glaze recalls similar works in bronze, and the glaze has acquired a beautiful, soft iridescent patina over the ages. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens. A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although this vessel would have functioned as an elegant presentation for a dish in life, it was found discovered buried in a tomb. A symbol for the bountiful pleasures of life, for feasting and celebrating, this ding would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.604)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Lidded food containers of this type are known as liens. This lively green-glazed lien is notable for its elegant decorations. The lightly stepped lid is decorated with a swirling abstract design on the tiered panels while the edge features a serrated pattern. The container stands raised on three charming feet molded in the shapes of bears carrying the vessel. The side of the body is embellished with two bands of parallel incised lines. Two purely decorative Tao Tieh mask handles, depicting mythological Dragons, intersect the middle band. These Tao Tieh masks relate to similar bronze examples where the handles are actually functional. The gorgeous green glaze recalls such bronze works, and the glaze has acquired a beautiful, soft iridescent patina over the ages, most noticeable along the bands and handles. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens. A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although this vessel would have functioned as a food storage container in life, it was found discovered buried in a tomb. Such a work might have originally been buried containing food inside, to be consumed by the deceased in the afterlife. A symbol for the bountiful pleasures of life, for eating and feasting, this lien would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.605)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Lidded food containers of this type are known as liens. This lively green-glazed lien is notable for its elegant decorations. The fabulously molded lid takes on the form of the Sacred Mountain, featuring various animals and mythological creatures climbing towards its jagged peak. The container stands raised on three charming feet molded in the shapes of bears carrying the vessel on their backs. The side of the body is embellished with a panel in low relief depicting a mythological hunting scene. Here, the combination of swirling terrain, undulating tree, and rampant beasts recall the motifs of the lid. The gorgeous green glaze recalls similar works in bronze, and the glaze has acquired a beautiful, soft iridescent patina over the ages. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens. A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although this vessel would have functioned as a food storage container in life, it was found discovered buried in a tomb. Such a work might have originally been buried containing food inside, to be consumed by the deceased in the afterlife. A symbol for the bountiful pleasures of life, for eating and feasting, this lien would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.606)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Lidded food containers of this type are known as liens. This lively green-glazed lien is notable for its elegant decorations. The fabulously molded lid takes on the form of the Sacred Mountain, featuring various animals and mythological creatures climbing towards its jagged peaks. The container stands raised on three charming feet molded in the shapes of bears carrying the vessel on their backs. The side of the body is embellished with a panel in low relief abstract motifs. Two purely decorative Tao Tieh mask handles, depicting mythological Dragons, adorn the sides of the body. These Tao Tieh masks relate to similar bronze examples where the handles are actually functional. The gorgeous green glaze recalls such bronze works, and the glaze has acquired a beautiful, soft iridescent patina over the ages, most noticeable on the mountain lid. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens. A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although this vessel would have functioned as a food storage container in life, it was found discovered buried in a tomb. Such a work might have originally been buried containing food inside, to be consumed by the deceased in the afterlife. A symbol for the bountiful pleasures of life, for eating and feasting, this lien would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.607)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Green and brown glaze vessels of the Han Dynasty are generally based on bronze predecessors but feature distinctive variations that are quite pleasing. This green-glazed hu is notable for its elegant simplicity. Two incised bands decorate the surface of the exterior at the join of the neck and the shoulder and at the widest swelling of the body. These bands serve to divide the vessels into segments that create a nice visual flow to the piece. The mouth is emphasized with a gently flaring rim that protrudes from the neck. At the swelling of the body, two purely decorative Tao Tieh mask handles intersect the bands. These stylized animals represent a type of dragon found in Chinese mythology. The gorgeous green glaze recalls similar works in bronze, and the glaze has acquired a beautiful, soft iridescent patina over the ages, most noticeable along the lower body and the bottom of the base. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens. A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although this vessel would have functioned as a wine container in life, it was found discovered buried in a tomb. A symbol for the bountiful pleasures of life, for drinking and feasting, this hu would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.609)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Green and brown glaze vessels of the Han Dynasty are generally based on bronze predecessors but feature distinctive variations that are quite pleasing. This large green-glazed hu is notable for its elegant simplicity. Three parallel bands rendered in low relief decorate the surface of the exterior at the join of the neck and the shoulder and at the widest swelling of the body. These bands serve to divide the vessels into segments that create a nice visual flow to the piece. The mouth is emphasized with a gently flaring rim featuring two similar bands at the join of the neck. At the swelling of the body, two purely decorative Tao Tieh mask handles intersect the bands. These stylized animals represent a type of dragon found in Chinese mythology.The gorgeous green glaze recalls similar works in bronze, and the glaze has acquired a beautiful, soft iridescent patina over the ages. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens. A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although this vessel would have functioned as a wine container in life, it was found discovered buried in a tomb. A symbol for the bountiful pleasures of life, for drinking and feasting, this hu would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.610)   « Less

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude.  More »

The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”Lidded food containers of this type are known as liens. This lively green-glazed lien is notable for its elegant simplicity. Three sets of five parallel bands rendered in very low relief decorate the surface of the body. These bands serve to divide the vessels into segments that create a pleasing visual flow to the piece. The vessel stands raised on three charming feet molded in the shape of bears holding up the piece. The wide rim imitates a typical tile roof that would have covered the estates of the wealthy elite and features a detachable lid. The gorgeous green glaze recalls similar works in bronze, and the glaze has acquired a beautiful, soft iridescent patina over the ages. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens.A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although this vessel would have functioned as a food storage container in life, it was found discovered buried in a tomb. Such a work might have originally been buried containing food inside, to be consumed by the deceased in the afterlife. A symbol for the bountiful pleasures of life, for eating and feasting, this lien would have represented the joys to be experienced in the afterlife and the feasts and celebrations yet to come. Today, this vessel is not only a gorgeous work of art, treasured for its history and rarity; but also a stunning reminder of the richness and luxury of the Han Dynasty, both in this world and the next. - (H.611)   « Less