Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty  More »

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty in 1368. As emperor, he founded his capital at Nanjing and adopted the name Hongwu as his reign title. Hongwu, literally meaning “vast military,” reflects the increased prestige of the army during the Ming Dynasty. Due to the very realistic threat still posed by the Mongols, Hongwu realized that a strong military was essential to Chinese prosperity. Thus, the orthodox Confucian view that the military was an inferior class to be ruled over by an elite class of scholars was reconsidered. During the Ming Dynasty, China proper was reunited after centuries of foreign incursion and occupation. Ming troops controlled Manchuria, and the Korean Joseon Dynasty respected the authority of the Ming rulers, at least nominally.Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Monguls and largely kept intact. However, Hongwu replaced the Mongul bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidded Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.Glazed sculptural tile are today considered one of the hallmarks of classical Chinese architecture. However, despite their popularity in modern times, they were relatively scarce until after the end of the T’ang Dynasty. Even then, during the Song and Yuan Dynasties, they were still infrequently used. It was not until the rise of the Ming Dynasty that glazed sculptural tiles became a popular decorative devise extensively employed in temples, altars, imperial palaces, and gardens. Beijing became the center of glazed architectural tile production during the Ming period, and colorfully decorated pagodas began to sprout up around this region. Eaves and entryways were decorated with vibrant sculptures that served both decorative and sometimes religious purposes.Chinese architecture is one of the more distinct styles of building throughout the world. Perhaps the most characteristic element is the pagoda roofs that end in dramatic curves. This sculptural tile would have been situated on that curved edge of a Ming Dynasty temple. Depicting a figure lunging forward on the tile, this work was placed on the roof in order to frighten away any evil spirits that might attempt to infiltrate the sacred space. The exposed flesh of the bald man is covered in an ochre glaze; otherwise, he is covered in a blue and white skirt that gathers in undulating folds in between his spread legs. He has his fists clenched together, held in front of his body as if a boxer. Holes in his hands reveal that he would have once held objects likely made out of wood that have deteriorated over the centuries. Who does this figure represent? A fighter? A spiritual leader? A deity? While we may never know his true identity, we can assume that he was an important individual to be memorialized in such a way. When one considers that this remarkable architectural sculpture is just the tip of the temple, the beauty of the completed temple must be truly astounding. - (H.1004)   « Less

The T’ang Dynasty was an era of unrivalled wealth and luxury. The country was successfully reunified and the borders were expanded, pushing Chinese influence into new  More »

The T’ang Dynasty was an era of unrivalled wealth and luxury. The country was successfully reunified and the borders were expanded, pushing Chinese influence into new lands. Confucianism became a semi-religious instrument of the state; yet Buddhism continued to flourish, spreading into Korea and Japan. The arts reached new levels of sophistication. Poetry and literature flourished under the enlightened rulers. The Silk Road brought fortunes into China. Precious treasures were imported on the backs of camels from far away lands and bartered for Chinese silk, medicinal herbs, and pungent spices. T’ang China was a multicultural empire where foreign merchants from across Central Asia and the Middle East settled in the urban centers, foremost among them the thriving capital of Chang’an (modern X’ian), a bustling cosmopolitan center of over two million inhabitants. Foreign traders lived next to native artisans and both thrived. New ideas and exotic artistic forms followed alongside. The T’ang Dynasty was a cultural renaissance where many of the forms and objects we now associate with China were first created. Moreover, this period represents one of the greatest cultural outpourings in human history.During the T’ang Dynasty, horses were revered, considered relatives of the mythical dragon. This veneration was well earned, for the speed and stamina of these majestic animals ensured the protection of the northern borders against barbarian invaders as well as enhancing communication capabilities between far away provinces, thereby aiding in the expansion of the empire. The need to import horses from Central Asia influenced the creation of the Silk Road. Thus, they were also prized for their rarity. Naturally then, horses became a status symbol for the aristocratic elite. Polo and other equestrian pastimes became popular. This sculpture, depicting a lady-in-waiting riding on the back of a horse, reveals this connection between nobility and the horse. Perhaps the most remarkable feature of this work is the removable saddle and rider that detach from the body of the horse in one piece. A striking amount of the original polychrome still remains intact, clearly visible in the lady’s red dress and lips. We can imagine this lady prancing around on this horse, perhaps taking part in an important ceremony. She wears a long-sleeved dress, a type of which was used in a popular dance where the lady swirls the excess fabric around in the air. Discovered buried inside a tomb, this work was supposed to accompany the deceased throughout the afterlife. The striking beauty of this work is even more impressive, considering that it was created specifically for interment and was not supposed to be seen by the living. Today, we marvel in the beauty of this sculpture as much as its tremendous history and intriguing legacy. - (H.1016)   « Less

The T’ang Dynasty was an era of unrivalled wealth and luxury. The country was successfully reunified and the borders were expanded, pushing Chinese influence into new  More »

The T’ang Dynasty was an era of unrivalled wealth and luxury. The country was successfully reunified and the borders were expanded, pushing Chinese influence into new lands. Confucianism became a semi-religious instrument of the state; yet Buddhism continued to flourish, spreading into Korea and Japan. The arts reached new levels of sophistication. Poetry and literature flourished under the enlightened rulers. The Silk Road brought fortunes into China. Precious treasures were imported on the backs of camels from far away lands and bartered for Chinese silk, medicinal herbs, and pungent spices. T’ang China was a multicultural empire where foreign merchants from across Central Asia and the Middle East settled in the urban centers, foremost among them the thriving capital of Chang’an (modern X’ian), a bustling cosmopolitan center of over two million inhabitants. Foreign traders lived next to native artisans and both thrived. New ideas and exotic artistic forms followed alongside. The T’ang Dynasty was a cultural renaissance where many of the forms and objects we now associate with China were first created. Moreover, this period represents one of the greatest cultural outpourings in human history.For the Chinese, camels symbolized commerce and its associated wealth, largely concentrated on profits through trading on the Silk Road. Trade across this extensive network of paths and trails brought prosperity, foreign merchants, and exotic merchandize into China. However, the dusty trails of the Silk Road were an arduous journey through the rugged mountains and harsh deserts of Central Asia that could only be traversed by the two humped Bactrian camel. This remarkable beast was able to withstand the scorching heat of the desert and maintain its own nutrients, surviving for months without fresh supplies of water. The government kept vast herds of these invaluable creatures, presided over by civil officials, for hauling their precious commodities across the Silk Road. These exotic creatures were a common sight in the cosmopolitan cities of T’ang China, carrying both traders and their goods directly into the markets. Likewise, T’ang artist began to create charming representations of these prized creatures as mingqi in order to symbolize wealth and prosperity in the afterlife.Mingqi were works of art specifically created in an ancient Chinese custom for interment in the tombs of elite individuals in order to provide for their afterlife. Some of the most beautiful works of Chinese art were excavated from such tombs, and this sculpture of a camel and an accompanying groom is a perfect example of the refined artistry dedicated to such works despite the fact that they were never meant to be seen by the living. The distinct physiognomy of the groom, with deep-set eyes and a full beard, reveals that he is of foreign descent, most likely from Central Asia. We can imagine him tending to the vast herds of these invaluable beasts that were maintained by the government. He holds his arm in the air as if leading the camel; we can almost see the reigns. Thick tufts of furry hair cover the camel along his head, neck, and knees. A removable saddle bulging with exotic goods and merchandize, including an easily discernable flask, has been placed between the two humps. This sculpture reveals the T’ang Dynasty’s respect and admiration for this beast of burden, so essential to the prosperity of ancient China. - (H.981)   « Less

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty  More »

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty in 1368. As emperor, he founded his capital at Nanjing and adopted the name Hongwu as his reign title. Hongwu, literally meaning “vast military,” reflects the increased prestige of the army during the Ming Dynasty. Due to the very realistic threat still posed by the Mongols, Hongwu realized that a strong military was essential to Chinese prosperity. Thus, the orthodox Confucian view that the military was an inferior class to be ruled over by an elite class of scholars was reconsidered. During the Ming Dynasty, China proper was reunited after centuries of foreign incursion and occupation. Ming troops controlled Manchuria, and the Korean Joseon Dynasty respected the authority of the Ming rulers, at least nominally.Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Monguls and largely kept intact. However, Hongwu replaced the Mongul bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidden Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.Glazed sculptural tile are today considered one of the hallmarks of classical Chinese architecture. However, despite their popularity in modern times, they were relatively scarce until after the end of the T’ang Dynasty. Even then, during the Song and Yuan Dynasties, they were still infrequently used. It was not until the rise of the Ming Dynasty that glazed sculptural tiles became a popular decorative devise extensively employed in temples, altars, imperial palaces, and gardens. Beijing became the center of glazed architectural tile production during the Ming period, and colorfully decorated pagodas began to sprout up around this region. Eaves and entryways were decorated with vibrant sculptures that served both decorative and sometimes religious purposes. On temples and palaces, representations of mounted warriors and snarling dragons were meant to ward off evildoers, of both the physical and spiritual kind. Later, during the Qing Dynasty, dragons would be replaced by stone lions and Fu dogs as the main choice of guardian creatures.During the height of the Ming Dynasty, large sculptures of dragons, called guardian dragons, were placed outside the main entrance of the imperial palace and the mansions of wealthy magistrates. Later, during the Qing Dynasty, dragons would be replaced by stone lions and Fu dogs as the main choice of guardian creatures. However, dragons continue to be revered, as they were during the Ming era, for their infinite protective qualities. This large glazed terracotta sculpture is composed of two separate pieces. The base takes the form of a snarling dragon and a warrior in full armor that struggles to control this beast. The second smaller piece is a blossoming green lotus bud that rests atop the dragon’s back. Glazed colors cover the whole of the work. Brilliant yellows, lush greens, and earthy browns all decorate the sculpture and bring a sense of life and vibrancy to the piece. Considering that the work is divided into two parts, with access to inside of the dragon’s body, it is possible that this piece might have been an incense burner. One can imagine the dramatic effect of the fragrant smoke pouring out of the open mouth of the guardian dragon. This gorgeous work is a stunning testament to the wealth and luxury of the Ming Dynasty. - (H.976)   « Less

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty  More »

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty in 1368. As emperor, he founded his capital at Nanjing and adopted the name Hongwu as his reign title. Hongwu, literally meaning “vast military,” reflects the increased prestige of the army during the Ming Dynasty. Due to the very realistic threat still posed by the Mongols, Hongwu realized that a strong military was essential to Chinese prosperity. Thus, the orthodox Confucian view that the military was an inferior class to be ruled over by an elite class of scholars was reconsidered. During the Ming Dynasty, China proper was reunited after centuries of foreign incursion and occupation. Ming troops controlled Manchuria, and the Korean Joseon Dynasty respected the authority of the Ming rulers, at least nominally.Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Monguls and largely kept intact. However, Hongwu replaced the Mongul bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidden Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.Glazed tiles are today considered one of the hallmarks of classical Chinese architecture. However, despite their popularity in modern times, they were relatively scarce until after the end of the T’ang Dynasty. Even then, during the Song and Yuan Dynasties, they were still infrequently used. It was not until the rise of the Ming Dynasty that glazed tiles became a popular decorative devise extensively employed in temples, altars, imperials palaces, and gardens. Beijing became the center of glazed architectural tile production during the Ming period, and colorfully decorated pagodas began to sprout up around this region.This gorgeous tile features a warrior riding atop a dragon covered in a brilliant blue glaze. It is known that such glazed works were most frequently employed on the roofs and along the doorways of imperial or sacred structures. Judging from the shape of the base, it is almost certain that this large sculptural tile was originally employed along the curved roof of a Ming Dynasty temple or pagoda. One can imagine a structure elaborately decorated with such tiles prominently displayed along the corners of the sloping roof. Holes in the warriors hands reveal that he would have likely once held a pair of weapons, perhaps swords or spears, fabricated from wood that have deteriorated over the centuries. The dragon, however, appears more like a horse, reinforcing the Chinese belief that dragons were related to horses. While the body is remarkably equine, the head is clearly more mythological in nature. Clouds swirl below the body of the dragon, implying that this warrior is riding over the heavens, perched high atop the temple roof. When we imagine the entire temple structure covered in such tiles, from the walls to the roof, the glory of Ming Dynasty China becomes apparent. - (H.1023)   « Less

The overextension of the labor force during the Qin Dynasty would result in a popular uprising against the empire. In 206 B.C., Liu Bang, a Qin official, led an army composed  More »

The overextension of the labor force during the Qin Dynasty would result in a popular uprising against the empire. In 206 B.C., Liu Bang, a Qin official, led an army composed of peasants and some lower nobility to victory and established his own Dynasty in place, the Han. However, unlike the Qin, the Han would unify China and rule virtually uncontested for over four hundred years. It is during this time that much of what is now considered to be Chinese culture was first actualized. The bureaucracy started under the Qin was now firmly established. The vast lands of China were now under the firm grip of a central authority. Confucianism became the state ideology although the worship of Taoist deity remained widespread, both among the peasants and the aristocracy. Ancient histories and texts were analyzed and rewritten to be more objective while new legendary myths and cultural epics were transcribed.The Han era can also be characterized as one of the greatest artistic outpourings in Chinese history, easily on par with the glories of their Western contemporaries, Greece and Rome. Wealth pouring into China from trade along the Silk Road initiated a period of unprecedented luxury. Stunning bronze vessels were created, decorated with elegant inlaid gold and silver motifs. Jade carvings reached a new level of technical brilliance. But perhaps the artistic revival of the Han Dynasty is nowhere better represented than in their sculptures and vessels that were interred with deceased nobles. Called mingqi, literally meaning “spirit articles,” these works depicted a vast array of subject, from warriors and horses to ovens and livestock, which were buried alongside the dead for use in the next world, reflecting the Chinese belief that the afterlife was an extension of our earthy existence. Thus, quite logically, the things we require to sustain and nurture our bodies in this life would be just as necessary in our next life.The Han Dynasty, like the Zhou before it, is divided into two distinct periods, the Western Han (206 B.C.-9 A.D.) and the Eastern Han (23-220 A.D.) with a brief interlude. Towards the end of the Western period, a series of weak emperors ruled the throne, controlled from behind the scenes by Wang Mang and Huo Guang, both relatives of empresses. They both exerted enormous influence over the government and when the last emperor suddenly passed away, Mang became ruling advisor, seizing this opportunity to declare his own Dynasty, the Xin, or “New.” However, another popular uprising began joined by the members of the Liu clan, the family that ruled the Han Dynasty, the Xin came to a quick end and the Eastern Han was established in its place with its capital at Loyang (Chang’an, the capital of the Western Han, was completely destroyed).However, even as Chinese influence spread across Southeastern Asia into new lands, the Eastern Han Dynasty was unable to recreate the glories of the Western Period. In fact, this period can be characterized by a bitter power struggle amongst a group of five consortial clans. These families sought to control the young, weak emperors with their court influence. Yet, as the emperors became distrustful of the rising power of the clans, they relied upon their eunuchs to defend them, often eliminating entire families at a time. During the Western Han, the Emperor was viewed as the center of the universe. However, this philosophy slowly disintegrated under the weak, vulnerable rulers of the Eastern Han, leading many scholars and officials to abandon the court. Eventually, the power of the Han would completely erode, ending with its dissolution and the beginning of the period known as the “Three Kingdoms.”This green-glazed terracotta dog is a splendid example of mingqi, literally translated as: “items for the next world.” During the Hand Dynasty, the Chinese believed that the afterlife was an extension of our earthly existence. Thus high-ranking members of the social hierarchy were buried in splendid tombs replete with replicas of their daily lives rendered in all media. It is not uncommon to find ornate dinner sets with elegantly painted utensils, wine vessels, and food storage containers. Sculpted replica of warriors and guardians provided protection while musicians and entertainers provided company. Likewise, herds of domesticated animals were interred alongside the deceased to serve as food sources in the afterlife. Although it is possible that this dog was entombed for consumption in the next world, he wears a studded collar and harness that join together in a loop, ready to be hooked onto a leash. More likely, this dog was a beloved companion who served his owner well both on earth and beyond.Standing at attention, the dog’s ears are curled over and his mouth is held wide open, as if barking, with his tongue sticking slightly out, a charming feature. The gorgeous green glaze has acquired a beautiful, soft iridescent patina over the ages. Commonly referred to as “silver frost,” this iridescence is the result of wet and dry periods in a tomb whereby the clay dissolves the lead glaze and redeposits it on the surface, where it hardens. A testament of age, this patina is also admired by collectors for its charming aesthetic qualities, similar in effect to mother of pearl. Although similar works were meant to serve as food for the afterlife, the love and attention dedicated to the creation of this stunning work of art suggests that this dog is much more than food. Instead, this beloved pet stands faithfully by his master’s side throughout eternity. If we listen carefully, we can almost hear him barking, alerting his lost master to our presence. - (H.1037)   « Less

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty  More »

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty in 1368. As emperor, he founded his capital at Nanjing and adopted the name Hongwu as his reign title. Hongwu, literally meaning “vast military,” reflects the increased prestige of the army during the Ming Dynasty. Due to the very realistic threat still posed by the Mongols, Hongwu realized that a strong military was essential to Chinese prosperity. Thus, the orthodox Confucian view that the military was an inferior class to be ruled over by an elite class of scholars was reconsidered. During the Ming Dynasty, China proper was reunited after centuries of foreign incursion and occupation. Ming troops controlled Manchuria, and the Korean Joseon Dynasty respected the authority of the Ming rulers, at least nominally.Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Monguls and largely kept intact. However, Hongwu replaced the Mongul bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidded Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.The Fu Dog, or Fu Lion as it is also known, is a ubiquitous symbol that has been employed repeatedly throughout the history of China. Sometimes referred to as the “Dog of Happiness” or the “Celestial Dog,” the earliest traces of the Fu Dog in China date to the Han Dynasty (206 B.C.-220 A.D.). Then it disappeared from Chinese art until it was resurrected during the cultural revival experienced during the T’ang Dynasty (618-906 A.D.). While lions are not native to China, works of art with lion imagery from other civilizations were imported into China as gifts for the Emperor. The Fu Lion was brought into China with the arrival of Buddhism, where it became associated with the more familiar dog during assimilation. The lion is a sacred creature in the Buddhist pantheon, and the Fu Lion was believed to be a companion of the Buddha.While sculptures of Fu Dogs such as this outstanding blue and green-glazed example originally stood guard outside of Buddhist temples, by the time of the Ming Dynasty, when this work was created, the Dogs had lost most of their religious significance and were placed outside the entrances to homes and palaces out of custom. Even today, many monumental public buildings are decorated with lion figures standing guard at the base of the stairway. Traditionally the Fu Dog is depicted with one of his front paws resting on a globe (or occasionally a demon). This gesture symbolizes the Dog’s authority and power over the evil spirits that might have tried to infiltrate the temple or palace. Today, Fu Dogs continue to be a popular symbol of luck and happiness. - (H.1054)   « Less

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty  More »

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty in 1368. As emperor, he founded his capital at Nanjing and adopted the name Hongwu as his reign title. Hongwu, literally meaning “vast military,” reflects the increased prestige of the army during the Ming Dynasty. Due to the very realistic threat still posed by the Mongols, Hongwu realized that a strong military was essential to Chinese prosperity. Thus, the orthodox Confucian view that the military was an inferior class to be ruled over by an elite class of scholars was reconsidered. During the Ming Dynasty, China proper was reunited after centuries of foreign incursion and occupation. Ming troops controlled Manchuria, and the Korean Joseon Dynasty respected the authority of the Ming rulers, at least nominally.Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Monguls and largely kept intact. However, Hongwu replaced the Mongul bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidded Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.The Fu Dog, or Fu Lion as it is also known, is a ubiquitous symbol that has been employed repeatedly throughout the history of China. Sometimes referred to as the “Dog of Happiness” or the “Celestial Dog,” the earliest traces of the Fu Dog in China date to the Han Dynasty (206 B.C.-220 A.D.). Then it disappeared from Chinese art until it was resurrected during the cultural revival experienced during the T’ang Dynasty (618-906 A.D.). While lions are not native to China, works of art with lion imagery from other civilizations were imported into China as gifts for the Emperor. The Fu Lion was brought into China with the arrival of Buddhism, where it became associated with the more familiar dog during assimilation. The lion is a sacred creature in the Buddhist pantheon, and the Fu Lion was believed to be a companion of the Buddha.While sculptures of Fu Dogs such as this outstanding blue and green-glazed example originally stood guard outside of Buddhist temples, by the time of the Ming Dynasty, when this work was created, the Dogs had lost most of their religious significance and were placed outside the entrances to homes and palaces out of custom. Even today, many monumental public buildings are decorated with lion figures standing guard at the base of the stairway. Traditionally the Fu Dog is depicted with one of his front paws resting on a globe (or occasionally a demon). This gesture symbolizes the Dog’s authority and power over the evil spirits that might have tried to infiltrate the temple or palace. Today, Fu Dogs continue to be a popular symbol of luck and happiness. - (H.1055)   « Less

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty  More »

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty in 1368. As emperor, he founded his capital at Nanjing and adopted the name Hongwu as his reign title. Hongwu, literally meaning “vast military,” reflects the increased prestige of the army during the Ming Dynasty. Due to the very realistic threat still posed by the Mongols, Hongwu realized that a strong military was essential to Chinese prosperity. Thus, the orthodox Confucian view that the military was an inferior class to be ruled over by an elite class of scholars was reconsidered. During the Ming Dynasty, China proper was reunited after centuries of foreign incursion and occupation. Ming troops controlled Manchuria, and the Korean Joseon Dynasty respected the authority of the Ming rulers, at least nominally.Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Monguls and largely kept intact. However, Hongwu replaced the Mongul bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidded Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.Glazed sculptural tile are today considered one of the hallmarks of classical Chinese architecture. However, despite their popularity in modern times, they were relatively scarce until after the end of the T’ang Dynasty. Even then, during the Song and Yuan Dynasties, they were still infrequently used. It was not until the rise of the Ming Dynasty that glazed sculptural tiles became a popular decorative devise extensively employed in temples, altars, imperial palaces, and gardens. Beijing became the center of glazed architectural tile production during the Ming period, and colorfully decorated pagodas began to sprout up around this region. Eaves and entryways were decorated with vibrant sculptures that served both decorative and sometimes religious purposes. On temples and palaces, representations of mounted warriors and snarling dragons were meant to ward off evildoers, of both the physical and spiritual kind.Judging from the shape of the base of this imposing dragon tile, it is likely that it once rested along the eaves of a roof or on the top a wall surrounding the grounds of a Ming Dynasty temple or palace. As an architectural ornament, this sculpture is a masterpiece. Surely the building that this work once adorned must have been quite spectacular. The dragon sits upon a swirling cloud, head held upwards, mouth ajar, as if poised to release a breath of fire. Spiky horns decorate the dragon’s head and spine that themselves appear like miniature flames. When we imagine the entire temple structure covered in such tiles, from the walls to the roof, the glory of Ming Dynasty China becomes apparent. - (H.1048)   « Less

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty  More »

Upon leading a victorious rebellion against the foreign Mongul rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty in 1368. As emperor, he founded his capital at Nanjing and adopted the name Hongwu as his reign title. Hongwu, literally meaning “vast military,” reflects the increased prestige of the army during the Ming Dynasty. Due to the very realistic threat still posed by the Mongols, Hongwu realized that a strong military was essential to Chinese prosperity. Thus, the orthodox Confucian view that the military was an inferior class to be ruled over by an elite class of scholars was reconsidered. During the Ming Dynasty, China proper was reunited after centuries of foreign incursion and occupation. Ming troops controlled Manchuria, and the Korean Joseon Dynasty respected the authority of the Ming rulers, at least nominally.Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Monguls and largely kept intact. However, Hongwu replaced the Mongul bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidded Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.Glazed sculptural tile are today considered one of the hallmarks of classical Chinese architecture. However, despite their popularity in modern times, they were relatively scarce until after the end of the T’ang Dynasty. Even then, during the Song and Yuan Dynasties, they were still infrequently used. It was not until the rise of the Ming Dynasty that glazed sculptural tiles became a popular decorative devise extensively employed in temples, altars, imperial palaces, and gardens. Beijing became the center of glazed architectural tile production during the Ming period, and colorfully decorated pagodas began to sprout up around this region. Eaves and entryways were decorated with vibrant sculptures that served both decorative and sometimes religious purposes. On temples and palaces, representations of mounted warriors and snarling dragons were meant to ward off evildoers, of both the physical and spiritual kind.Judging from the shape of the base of this imposing dragon tile, it is likely that it once rested along the eaves of a roof or on the top a wall surrounding the grounds of a Ming Dynasty temple or palace. As an architectural ornament, this sculpture is a masterpiece. Surely the building that this work once adorned must have been quite spectacular. The dragon sits upon a swirling cloud, head held upwards, mouth ajar, as if poised to release a breath of fire. Spiky horns decorate the dragon’s head and spine that themselves appear like miniature flames. When we imagine the entire temple structure covered in such tiles, from the walls to the roof, the glory of Ming Dynasty China becomes apparent. - (H.1047)   « Less