Art (paintings, prints, frames)
|
|
|
|
|
Price :
Contact Dealer
In the painting “On the Trainâ€, we observe a delightful moment in an old fashioned train. The car's high, domed ceiling and old gas lamps add an ambient element More »
In the painting “On the Trainâ€, we observe a delightful moment in an old fashioned train. The car's high, domed ceiling and old gas lamps add an ambient element to the interior of the train, as we watch the charming carryings-on of an eclectic group of people, most of whom are friends of the artist. The "parrot lady" is an aspiring actress; the lady wearing a delightful pink flowered hat is the artist's best friend and a jazz/pop singer in Chicago. Each character is a delight to ponder, while all together they form a slice of life with all its fantastic and unusual qualities. If we look closely at the third train window on the left we can even see the artist and her daughter as they listen to the train's loud, melodic whistle and watch the old train cars go clickety clacking by. - (SB.0002) Dimensions: 50" (127.0cm) high x 40" (101.6cm) wide Catalogue: V9 Collection: Contemporary Art Medium: Oil On Canvas « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
$3600.00
“Chasm†offers a commentary on the disastrous rifts that seem to be so prevalent in today's relationships between a man and a woman. Pent up energy is on the More »
“Chasm†offers a commentary on the disastrous rifts that seem to be so prevalent in today's relationships between a man and a woman. Pent up energy is on the verge of release in this dynamic painting, symbolizing a woman's unavoidable leave-taking. Handicapped by his inability to communicate directly to the woman, the man in the painting uses a mechanical device, the phone, in hopes of reconnecting what, unfortunately, has already been lost. - (AP.0003) Dimensions: 24" (61.0cm) high x 48" (121.9cm) wide Collection: Contemporary Art Medium: Oil On Canvas « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
Contact Dealer
The painting “Southern Skies†references the Star Wars program in the United States and the global militarization of space. At a time when peaceful exploration of More »
The painting “Southern Skies†references the Star Wars program in the United States and the global militarization of space. At a time when peaceful exploration of the heavens would benefit the world community, governments fight each other with impossibly expensive weapons systems that bankrupt each other and threaten complete destruction of the planet. In this painting images swirl as if it is a dream. At the top are two satellites shooting laser beams. A rune floats below them (the runes are part of an ancient Celtic divination system; the rune in the painting is the "harvest" rune which counsels patience and time to nurture life into being). To the left of the rune a warrior eagle swoops down on an unsuspecting sleeping girl, suggesting that there is a dream within a dream going on in the painting. To the far right is a figure repeated three times in a gesture of supplication, juxtaposed with a classical Greek column symbolic of knowledge and wisdom. This gesture is repeated at the very bottom, where a woman blows a nuclear mushroom cloud from the palm of her hand, much like a girl would blow a dandelion flower to the winds. This image suggests that the nightmare of star wars can be dispelled, and offers the hope of a future where we are not tyrannized by nuclear perils. - (CC.0001) Circa: 1987 AD Dimensions: 64" (162.6cm) high x 48" (121.9cm) wide Catalogue: V9 Collection: Contemporary Art Medium: Oil On Wood Panel « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
Contact Dealer
“Royaume du Cambodge†is one of several canvasses the artist painted about the progressive deterioration of Cambodian culture in the 20th century. It is sad that More »
“Royaume du Cambodge†is one of several canvasses the artist painted about the progressive deterioration of Cambodian culture in the 20th century. It is sad that native cultures disappear when confronted with "modern" societies, and indeed, this has happened to the old Cambodian way of life. However, Royaume du Cambodge is not a sad painting. It depicts the evening of the old, mythic Khmer civilization, the generation of the grandparents, prior to the wars in Southeast Asia and the killing fields of Cambodia. In the painting, which is set in the night, an elderly couple appears at the bottom of the canvas almost as if in repose or meditation. There is a great sense of serenity and peace about them. Behind them loom the ruins of Angkor Wat, with the sleeping head of the Buddha emerging from the center of the temple edifice. There is a barren tree to the left, perhaps presaging the disruptions to come; it could be the bodhi tree, stripped of meaning. To the right is a group of tree branches in full leaf, suggesting that there is still life, and that the duality of existence (ying and yang, good and evil) is present in the fate of the Cambodians. - (CC.0002) Circa: 1991 AD Dimensions: 64" (162.6cm) high x 64" (162.6cm) wide Catalogue: V10 Collection: Contemporary Art Medium: Oil On Canvas « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
Contact Dealer
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient More »
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient civilizations, Al Masri’s works reflect the cultural forces that have shaped the Middle East region: Assyrian, Mesopotamian, Sumerian, Persian, African, Egyptian, and Nabatean. His works are abundant with ancient symbols, hieroglyphs, early Arabic writing, cuneiform inscriptions, and ancient icons - sometimes juxtaposed with contemporary themes and symbols taken from the world around him. Modern images such as a playful kite, a whimsically curved palm tree, or a graffiti-like arrow are placed alongside symbols and icons central to ancient civilizations, such as those representing fertility and immortality. The viewer is easily drawn in, attempting to decipher and connect the hidden meanings in his work. The visual interplay of the past and present merges together to create incredibly original and innovative art Al Masri’s non-traditional medium and technique further emphasize the spirit of the ancients. Hist works are not just painted, but carved and sculptural in appearance. In lieu of a canvas, he works on a specially prepared wooden panel. Using wood carving tools, he skillfully carves his images and designs, resulting in works that closely resemble ancient tablets or carvings in both texture and appearance. His masterful use of oil paint with colors rich in warm earth tones, combined with fresh and confident brushstrokes, complete the unconventional and powerful works of art. With a subject befitting a Jordanian artist and archaeologist, Dr. Al Masri’s doctoral work focused on the Nabateans, whose civilization flourished in the first-century B.C. throughout Northwest Arabia, its capitol at Petra in present- day Jordan. Al Masri’s thesis, centered on the sculptural representations and mythology of Nabatean deities, provides rich inspiration for many of his paintings. His works pulse with the Nabatean theme; several of the effigies unearthed in the region of Petra are brilliantly interpreted and adapted to appear prominently in his work. Combining art and archaeology, there is an obvious visual connection between this 2000 year-old city that was carved into stone and Al Masri’s work – further emphasized by the fact that his paintings themselves seem to be carved into stone. His splendid use of ancient symbols and icons and his unique technique brings the past clearly into the present, reacquainting the viewer with history that should never be forgotten. In addition to his academic credentials, he is an accomplished artist, having exhibited his work to great acclaim in Austria, Kuwait, Lebanon, Tunisia, Jordan and the United Arab Emirates. His paintings can be found in an impressive number of private collections across Europe, the United States, Canada, Japan, and the Gulf countries. Presently, he serves as an assistant professor of Ancient Civilizations at Hashemite University in Jordan, passing on his great admiration for the Ancients to his students. In his paintings, Dr. Eyad captures the spirit and strength of antiquity and brings it full force to the viewer with his every brushstroke and design. He interprets the past and the present, bringing both together in truly unique and mesmerizing works. One cannot help but be in awe of the creative genius and originality in the paintings of Dr. Eyad Al Masri. He is inspired by the past, but not held to tradition. His work must be seen and, like the history of the Ancients, it will be remembered. -- Jeanne Whatley, Caravan Galleries - (AJ.066) Origin: Jordan Collection: Contemporary « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
Contact Dealer
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient More »
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient civilizations, Al Masri’s works reflect the cultural forces that have shaped the Middle East region: Assyrian, Mesopotamian, Sumerian, Persian, African, Egyptian, and Nabatean. His works are abundant with ancient symbols, hieroglyphs, early Arabic writing, cuneiform inscriptions, and ancient icons - sometimes juxtaposed with contemporary themes and symbols taken from the world around him. Modern images such as a playful kite, a whimsically curved palm tree, or a graffiti-like arrow are placed alongside symbols and icons central to ancient civilizations, such as those representing fertility and immortality. The viewer is easily drawn in, attempting to decipher and connect the hidden meanings in his work. The visual interplay of the past and present merges together to create incredibly original and innovative art. Al Masri’s non-traditional medium and technique further emphasize the spirit of the ancients. Hist works are not just painted, but carved and sculptural in appearance. In lieu of a canvas, he works on a specially prepared wooden panel. Using wood carving tools, he skillfully carves his images and designs, resulting in works that closely resemble ancient tablets or carvings in both texture and appearance. His masterful use of oil paint with colors rich in warm earth tones, combined with fresh and confident brushstrokes, complete the unconventional and powerful works of art. With a subject befitting a Jordanian artist and archaeologist, Dr. Al Masri’s doctoral work focused on the Nabateans, whose civilization flourished in the first-century B.C. throughout Northwest Arabia, its capitol at Petra in present- day Jordan. Al Masri’s thesis, centered on the sculptural representations and mythology of Nabatean deities, provides rich inspiration for many of his paintings. His works pulse with the Nabatean theme; several of the effigies unearthed in the region of Petra are brilliantly interpreted and adapted to appear prominently in his work. Combining art and archaeology, there is an obvious visual connection between this 2000 year-old city that was carved into stone and Al Masri’s work – further emphasized by the fact that his paintings themselves seem to be carved into stone. His splendid use of ancient symbols and icons and his unique technique brings the past clearly into the present, reacquainting the viewer with history that should never be forgotten. In addition to his academic credentials, he is an accomplished artist, having exhibited his work to great acclaim in Austria, Kuwait, Lebanon, Tunisia, Jordan and the United Arab Emirates. His paintings can be found in an impressive number of private collections across Europe, the United States, Canada, Japan, and the Gulf countries. Presently, he serves as an assistant professor of Ancient Civilizations at Hashemite University in Jordan, passing on his great admiration for the Ancients to his students. In his paintings, Dr. Eyad captures the spirit and strength of antiquity and brings it full force to the viewer with his every brushstroke and design. He interprets the past and the present, bringing both together in truly unique and mesmerizing works. One cannot help but be in awe of the creative genius and originality in the paintings of Dr. Eyad Al Masri. He is inspired by the past, but not held to tradition. His work must be seen and, like the history of the Ancients, it will be remembered. -- Jeanne Whatley, Caravan Galleries - (AJ.067) Origin: Jordan Collection: Contemporary « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
Contact Dealer
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient More »
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient civilizations, Al Masri’s works reflect the cultural forces that have shaped the Middle East region: Assyrian, Mesopotamian, Sumerian, Persian, African, Egyptian, and Nabatean. His works are abundant with ancient symbols, hieroglyphs, early Arabic writing, cuneiform inscriptions, and ancient icons - sometimes juxtaposed with contemporary themes and symbols taken from the world around him. Modern images such as a playful kite, a whimsically curved palm tree, or a graffiti-like arrow are placed alongside symbols and icons central to ancient civilizations, such as those representing fertility and immortality. The viewer is easily drawn in, attempting to decipher and connect the hidden meanings in his work. The visual interplay of the past and present merges together to create incredibly original and innovative art. Al Masri’s non-traditional medium and technique further emphasize the spirit of the ancients. Hist works are not just painted, but carved and sculptural in appearance. In lieu of a canvas, he works on a specially prepared wooden panel. Using wood carving tools, he skillfully carves his images and designs, resulting in works that closely resemble ancient tablets or carvings in both texture and appearance. His masterful use of oil paint with colors rich in warm earth tones, combined with fresh and confident brushstrokes, complete the unconventional and powerful works of art. With a subject befitting a Jordanian artist and archaeologist, Dr. Al Masri’s doctoral work focused on the Nabateans, whose civilization flourished in the first-century B.C. throughout Northwest Arabia, its capitol at Petra in present- day Jordan. Al Masri’s thesis, centered on the sculptural representations and mythology of Nabatean deities, provides rich inspiration for many of his paintings. His works pulse with the Nabatean theme; several of the effigies unearthed in the region of Petra are brilliantly interpreted and adapted to appear prominently in his work. Combining art and archaeology, there is an obvious visual connection between this 2000 year-old city that was carved into stone and Al Masri’s work – further emphasized by the fact that his paintings themselves seem to be carved into stone. His splendid use of ancient symbols and icons and his unique technique brings the past clearly into the present, reacquainting the viewer with history that should never be forgotten. In addition to his academic credentials, he is an accomplished artist, having exhibited his work to great acclaim in Austria, Kuwait, Lebanon, Tunisia, Jordan and the United Arab Emirates. His paintings can be found in an impressive number of private collections across Europe, the United States, Canada, Japan, and the Gulf countries. Presently, he serves as an assistant professor of Ancient Civilizations at Hashemite University in Jordan, passing on his great admiration for the Ancients to his students. In his paintings, Dr. Eyad captures the spirit and strength of antiquity and brings it full force to the viewer with his every brushstroke and design. He interprets the past and the present, bringing both together in truly unique and mesmerizing works. One cannot help but be in awe of the creative genius and originality in the paintings of Dr. Eyad Al Masri. He is inspired by the past, but not held to tradition. His work must be seen and, like the history of the Ancients, it will be remembered. -- Jeanne Whatley, Caravan Galleries - (AJ.068) Origin: Jordan Collection: Contemporary « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
Contact Dealer
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient More »
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient civilizations, Al Masri’s works reflect the cultural forces that have shaped the Middle East region: Assyrian, Mesopotamian, Sumerian, Persian, African, Egyptian, and Nabatean. His works are abundant with ancient symbols, hieroglyphs, early Arabic writing, cuneiform inscriptions, and ancient icons - sometimes juxtaposed with contemporary themes and symbols taken from the world around him. Modern images such as a playful kite, a whimsically curved palm tree, or a graffiti-like arrow are placed alongside symbols and icons central to ancient civilizations, such as those representing fertility and immortality. The viewer is easily drawn in, attempting to decipher and connect the hidden meanings in his work. The visual interplay of the past and present merges together to create incredibly original and innovative art. Al Masri’s non-traditional medium and technique further emphasize the spirit of the ancients. Hist works are not just painted, but carved and sculptural in appearance. In lieu of a canvas, he works on a specially prepared wooden panel. Using wood carving tools, he skillfully carves his images and designs, resulting in works that closely resemble ancient tablets or carvings in both texture and appearance. His masterful use of oil paint with colors rich in warm earth tones, combined with fresh and confident brushstrokes, complete the unconventional and powerful works of art. With a subject befitting a Jordanian artist and archaeologist, Dr. Al Masri’s doctoral work focused on the Nabateans, whose civilization flourished in the first-century B.C. throughout Northwest Arabia, its capitol at Petra in present- day Jordan. Al Masri’s thesis, centered on the sculptural representations and mythology of Nabatean deities, provides rich inspiration for many of his paintings. His works pulse with the Nabatean theme; several of the effigies unearthed in the region of Petra are brilliantly interpreted and adapted to appear prominently in his work. Combining art and archaeology, there is an obvious visual connection between this 2000 year-old city that was carved into stone and Al Masri’s work – further emphasized by the fact that his paintings themselves seem to be carved into stone. His splendid use of ancient symbols and icons and his unique technique brings the past clearly into the present, reacquainting the viewer with history that should never be forgotten. In addition to his academic credentials, he is an accomplished artist, having exhibited his work to great acclaim in Austria, Kuwait, Lebanon, Tunisia, Jordan and the United Arab Emirates. His paintings can be found in an impressive number of private collections across Europe, the United States, Canada, Japan, and the Gulf countries. Presently, he serves as an assistant professor of Ancient Civilizations at Hashemite University in Jordan, passing on his great admiration for the Ancients to his students. In his paintings, Dr. Eyad captures the spirit and strength of antiquity and brings it full force to the viewer with his every brushstroke and design. He interprets the past and the present, bringing both together in truly unique and mesmerizing works. One cannot help but be in awe of the creative genius and originality in the paintings of Dr. Eyad Al Masri. He is inspired by the past, but not held to tradition. His work must be seen and, like the history of the Ancients, it will be remembered. -- Jeanne Whatley, Caravan Galleries - (AJ.069) Origin: Jordan Collection: Contemporary « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
Contact Dealer
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient More »
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient civilizations, Al Masri’s works reflect the cultural forces that have shaped the Middle East region: Assyrian, Mesopotamian, Sumerian, Persian, African, Egyptian, and Nabatean. His works are abundant with ancient symbols, hieroglyphs, early Arabic writing, cuneiform inscriptions, and ancient icons - sometimes juxtaposed with contemporary themes and symbols taken from the world around him. Modern images such as a playful kite, a whimsically curved palm tree, or a graffiti-like arrow are placed alongside symbols and icons central to ancient civilizations, such as those representing fertility and immortality. The viewer is easily drawn in, attempting to decipher and connect the hidden meanings in his work. The visual interplay of the past and present merges together to create incredibly original and innovative art. Al Masri’s non-traditional medium and technique further emphasize the spirit of the ancients. Hist works are not just painted, but carved and sculptural in appearance. In lieu of a canvas, he works on a specially prepared wooden panel. Using wood carving tools, he skillfully carves his images and designs, resulting in works that closely resemble ancient tablets or carvings in both texture and appearance. His masterful use of oil paint with colors rich in warm earth tones, combined with fresh and confident brushstrokes, complete the unconventional and powerful works of art. With a subject befitting a Jordanian artist and archaeologist, Dr. Al Masri’s doctoral work focused on the Nabateans, whose civilization flourished in the first-century B.C. throughout Northwest Arabia, its capitol at Petra in present- day Jordan. Al Masri’s thesis, centered on the sculptural representations and mythology of Nabatean deities, provides rich inspiration for many of his paintings. His works pulse with the Nabatean theme; several of the effigies unearthed in the region of Petra are brilliantly interpreted and adapted to appear prominently in his work. Combining art and archaeology, there is an obvious visual connection between this 2000 year-old city that was carved into stone and Al Masri’s work – further emphasized by the fact that his paintings themselves seem to be carved into stone. His splendid use of ancient symbols and icons and his unique technique brings the past clearly into the present, reacquainting the viewer with history that should never be forgotten. In addition to his academic credentials, he is an accomplished artist, having exhibited his work to great acclaim in Austria, Kuwait, Lebanon, Tunisia, Jordan and the United Arab Emirates. His paintings can be found in an impressive number of private collections across Europe, the United States, Canada, Japan, and the Gulf countries. Presently, he serves as an assistant professor of Ancient Civilizations at Hashemite University in Jordan, passing on his great admiration for the Ancients to his students. In his paintings, Dr. Eyad captures the spirit and strength of antiquity and brings it full force to the viewer with his every brushstroke and design. He interprets the past and the present, bringing both together in truly unique and mesmerizing works. One cannot help but be in awe of the creative genius and originality in the paintings of Dr. Eyad Al Masri. He is inspired by the past, but not held to tradition. His work must be seen and, like the history of the Ancients, it will be remembered. -- Jeanne Whatley, Caravan Galleries - (AJ.070) Origin: Jordan Collection: Contemporary « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
Price :
Contact Dealer
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient More »
These original oil paintings are profoundly influenced by Dr. Al Masri’s unique background in art and archaeology. Inspired by his research in the ancient civilizations, Al Masri’s works reflect the cultural forces that have shaped the Middle East region: Assyrian, Mesopotamian, Sumerian, Persian, African, Egyptian, and Nabatean. His works are abundant with ancient symbols, hieroglyphs, early Arabic writing, cuneiform inscriptions, and ancient icons - sometimes juxtaposed with contemporary themes and symbols taken from the world around him. Modern images such as a playful kite, a whimsically curved palm tree, or a graffiti-like arrow are placed alongside symbols and icons central to ancient civilizations, such as those representing fertility and immortality. The viewer is easily drawn in, attempting to decipher and connect the hidden meanings in his work. The visual interplay of the past and present merges together to create incredibly original and innovative art. Al Masri’s non-traditional medium and technique further emphasize the spirit of the ancients. Hist works are not just painted, but carved and sculptural in appearance. In lieu of a canvas, he works on a specially prepared wooden panel. Using wood carving tools, he skillfully carves his images and designs, resulting in works that closely resemble ancient tablets or carvings in both texture and appearance. His masterful use of oil paint with colors rich in warm earth tones, combined with fresh and confident brushstrokes, complete the unconventional and powerful works of art. With a subject befitting a Jordanian artist and archaeologist, Dr. Al Masri’s doctoral work focused on the Nabateans, whose civilization flourished in the first-century B.C. throughout Northwest Arabia, its capitol at Petra in present- day Jordan. Al Masri’s thesis, centered on the sculptural representations and mythology of Nabatean deities, provides rich inspiration for many of his paintings. His works pulse with the Nabatean theme; several of the effigies unearthed in the region of Petra are brilliantly interpreted and adapted to appear prominently in his work. Combining art and archaeology, there is an obvious visual connection between this 2000 year-old city that was carved into stone and Al Masri’s work – further emphasized by the fact that his paintings themselves seem to be carved into stone. His splendid use of ancient symbols and icons and his unique technique brings the past clearly into the present, reacquainting the viewer with history that should never be forgotten. In addition to his academic credentials, he is an accomplished artist, having exhibited his work to great acclaim in Austria, Kuwait, Lebanon, Tunisia, Jordan and the United Arab Emirates. His paintings can be found in an impressive number of private collections across Europe, the United States, Canada, Japan, and the Gulf countries. Presently, he serves as an assistant professor of Ancient Civilizations at Hashemite University in Jordan, passing on his great admiration for the Ancients to his students. In his paintings, Dr. Eyad captures the spirit and strength of antiquity and brings it full force to the viewer with his every brushstroke and design. He interprets the past and the present, bringing both together in truly unique and mesmerizing works. One cannot help but be in awe of the creative genius and originality in the paintings of Dr. Eyad Al Masri. He is inspired by the past, but not held to tradition. His work must be seen and, like the history of the Ancients, it will be remembered. -- Jeanne Whatley, Caravan Galleries - (AJ.071) Origin: Jordan Collection: Contemporary « Less
|
Contemporary Art
|
|
|
Vendor Details |
Close |
Contact Info : |
Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
|
|
|
|
|
|
|
|