AN ENGLISH SALTGLAZE SPARROW-BEAK MILK JUG WITH POLYCHROME DECORATION, Circa 1745, Height: 4 inches

AN ENGLISH SALTGLAZE SPARROW-BEAK MILK JUG WITH POLYCHROME DECORATION, Circa 1745, Height: 4 inches   « Less

AN ENGLISH POTTERY TORTOISE-SHELL MILK JUG, Whieldon-type, CIRCA 1770. ; ; ; ; ;The pear-shaped milk jug has a cream ware body with tortoise-shell glaze in brown. ;The  More »

AN ENGLISH POTTERY TORTOISE-SHELL MILK JUG, Whieldon-type, CIRCA 1770. ; ; ; ; ;The pear-shaped milk jug has a cream ware body with tortoise-shell glaze in brown. ;The body is covered with applied rose and vine decoration. The milk jug stand on three paw feet. Height: 5" (12 3/4 cm) Condition: Excellent   « Less

A SMALL ENGLISH POTTERY WHIELDON-TYPE MILK JUG. Circa 1765 ; ; ; ; ;The pear-shaped milk jug has a creamware body with tortoiseshell glaze in brown. ;The handle is  More »

A SMALL ENGLISH POTTERY WHIELDON-TYPE MILK JUG. Circa 1765 ; ; ; ; ;The pear-shaped milk jug has a creamware body with tortoiseshell glaze in brown. ;The handle is made in the form of crabstock and the body is covered with applied vine decoration. ;The milk jug stands on three paw feet. ;Very minor chip repaired. Height: 3 1/2" ( 9 cm)   « Less

AN ENGLISH POTTERY MILK JUG WITH VINE APPLIQUE, Whieldon-type, ;c.1760-75. Height: 5 inches

AN ENGLISH POTTERY MILK JUG WITH VINE APPLIQUE, Whieldon-type, ;c.1760-75. Height: 5 inches   « Less

For sales I have a rather hard to find piece of Art Pottery made by The Hampshire Pottery Company of Keene, NH. The item is called a "Embossed Leaves" Pitcher and it is done  More »

For sales I have a rather hard to find piece of Art Pottery made by The Hampshire Pottery Company of Keene, NH. The item is called a "Embossed Leaves" Pitcher and it is done in the most desirable Cucumber Green Glaze. The Pitcher stands 8" tall and is 7" in diameter from the tip of the Spout to the outside of the Handle. The Pitcher has one of the nicest Cucumber Green Glazes I have seen on a Hampshire Pottery piece in quite awhile. The Pitcher displays wonderfully embossed Elephant Leaves that wrap around the top half of the vessel. One of the leaves actually folds back along the top opening and it is attached to the Handle. The Handle is also quite interesting. It attached to the body just under the top. It bows out like most Pitcher handles and attaches at the bottom and branches off into 2 sections to form the appearance of Vine. The longer Vine has what looks like a Flower Bud on the end. What a Splendid Realistic Organic Design. The pitcher is considered to be in excellent condition as there are no cracks, nicks, chips or dings. There are a few pin pops in the Glaze and the inside Water Proofing Glaze shows crazing which is very common with these pictures as they were used more often than the Vases. There are a few areas on the Handle that is a little weaker in the Green Glaze as is the edges near and and around the tip of the spout. The piece is unsigned but it displays that renown Hampshire Pottery bottom White Clay with the nicely ground smooth Green Edge. Hampshire Pottery started producing Matte Glazes in 1891. This was 7 years earlier than their main Competitor Grueby Faience of Boston, Mass. Hampshire Pottery resembles the style of Grueby but were much more affordable as they were mold made pieces as opposed to hand thrown. This is an Early Piece made by Hampshire Pottery as there isn't even a Shape number in the 1916 Catalog Reprint by George Morton who bought Hampshire Pottery in that same year. George Morton was formerly from Grueby Pottery of Boston Mass. I have had this piece before and it had a shape number 34 incised into the bottom. I would guess this piece was made Circa 1895-1903 as it pre dates the M in a Circle Mark. That Mark was used from 1904-1914 during Cadmon Robertson's tenure. There was no pottery produced from his death in 1914 till 1916, A period of almost 2 years. This will make a wonderful addition to any Matte Green collection of Art Pottery and would look great on that Stickley Mission Arts and Crafts Bookcase.   « Less

Highly collectible! Old ''Pastis Berger'' pitcher from Marseille, France. You can see on photo, a very little chip on the top part. Pastis was first created as an alternative  More »

Highly collectible! Old ''Pastis Berger'' pitcher from Marseille, France. You can see on photo, a very little chip on the top part. Pastis was first created as an alternative to absinthe once the ban on absinthe production was enacted in France in 1915. Pastis has the same anise heavy formula, however it is made without wormwood (the banned substance) and is much lower in alcoholic volume. The word ''pastis'' is the French term for ''mixture''. It is most usually consumed diluted with water and is immensely popular in France during the summer months. h-7.5''/ w-7.5''/ d-4'' For the shipping...don''t worry, we ship from Texas (not from France)! Status: For Sale Reference#: BERG001 Condition: Excellent Year: 1950''s Country: France Height: 7.5 in. (19.05 cm) Depth: 4 in. (10.16 cm) Width: 7.5 in. (19.05 cm) Title: French jug pitcher Pastis Berger Style: Alsatian Materials: Ceramic   « Less

Lustreware Pitcher. German. Circa. 1930 Marked Celesrate. White porcelain with stenciled purplish-pink lustre glaze. Hand stenciled border. Can be used as pencil holder,  More »

Lustreware Pitcher. German. Circa. 1930 Marked Celesrate. White porcelain with stenciled purplish-pink lustre glaze. Hand stenciled border. Can be used as pencil holder, flower vase, milk server, make-up brushes, syrup pitcher, or just for display. Measures 4 1/2 inches high, 4 inches wide and 2 inches deep. In pristine original condition   « Less

Victorian, circa 1870 George Jones Majolica pitcher decorated with green leaves, bulrushes/cattails and pond lillies on white ground. Brown twig molded handle extending  More »

Victorian, circa 1870 George Jones Majolica pitcher decorated with green leaves, bulrushes/cattails and pond lillies on white ground. Brown twig molded handle extending around ochre base. Rope tied around neck of pitcher and top of handle. Pink interior and underside. Two stilt marks and painted pattern number ''1801'' in reserve to underside. Good. No cracks. No hairlines. Some rubbing to one end of rope. Kiln effects: small firing pit to interior and another to lily flower; over glazed manufacture chip to base. Small restored chip to rim. 5.5ins high   « Less

Victorian, circa 1870 Brown Westhead Moore & Co Majolica pitcher in the form of a barrel with hops and barley growing from the branch molded handle. Brown, cobalt, green and  More »

Victorian, circa 1870 Brown Westhead Moore & Co Majolica pitcher in the form of a barrel with hops and barley growing from the branch molded handle. Brown, cobalt, green and ochre exterior glazes with ochre rim. Turquoise interior. Stilt marks, impressed ''1'' and painted ''64 5'' to underside. Attributed to Brown Westhead Moore & Co. Good. No cracks. No hairlines. No chips. No flakes. Slight wear to exterior. Kiln effect: some brown glaze run to the front. Repair to spout. 6.75ins high   « Less

Limoge porcelain ewer. This is another excellent example of Victorian Aesthetic Movement porcelain. This dramatic French jug has bold purple lilacs waving among green and  More »

Limoge porcelain ewer. This is another excellent example of Victorian Aesthetic Movement porcelain. This dramatic French jug has bold purple lilacs waving among green and gold leaves on it's front and dragon flies playing on the back side. The shape and design of the handle is Egyptian Revival in feel. The back round color is cream and the handle is gilded. There is also brushed gold accents including the rim of the spout. Signed T & V on the base for the French maker Tressemenn & Vogt, mark 4a. Good original condition, with some wear to the gilded handle. Fresh from a local Brooklyn estate. 11" tall x 7" wide x 3 1/2" base diameter. Price 275.   « Less