SOLD This very large and refined sandstone head of Shiva, in Khmer Koh Ker style, has an expression of divinity, with full bow shaped mouth, moustache, broad nose, double  More »

SOLD This very large and refined sandstone head of Shiva, in Khmer Koh Ker style, has an expression of divinity, with full bow shaped mouth, moustache, broad nose, double outlined almond shaped eyes with incised pupils, a continuous finely ridged brow, and large ears with pendulous lobes, Shiva’s crown is intricate and finely incised with a top boarder of tongues and a latticed foliate band centered by the beaded borders. It is elaborately knotted in the back, above the nape of the neck. The vertical spiral tresses of hair are arranged into a tiered conical usnisa compose of carved bands of lotus petals. The usnisa is surmounted by a bud shaped cintamani. Originally, this head was attached to a torso, no other fractures or damage. Signs of weathering, patination and mineral deposits. Originally purchased in the late 1960’s from a private collection and was reviewed and authenticated by a subject expert. Height without base 15” and 20.25” including the base; width 10.5 “, depth 9.5”, weight 49 pounds. SOLD   « Less

SOLD The sculptures, probably Shiva and Uma, convey the beauty that is distinctive of works of the 11th century Baphuon period. It is speculated that these sculptures were  More »

SOLD The sculptures, probably Shiva and Uma, convey the beauty that is distinctive of works of the 11th century Baphuon period. It is speculated that these sculptures were excavated from the same site; it’s rare to find sculptures that were originally created as a pair. The Shiva wears a sampot that is wrapped around his waist, pulled between his legs and tied in the front; the texture of the fabric is represented by finely carved striations. The excess material falls in stylized folds over the garment that is depicted as a series of folds. The sampot is held together with a belt. The intricate belt that secures the garment is positioned low on the hips and is elaborately ornamented suggesting sovereignty. The portion of the garment that covers the back is fashioned higher than the front. The features of the face are imbued with tenderness and solitude. The vertical tresses of his hair are fashioned into a jatamukuta, (symbolic of his ascetic powers or of being an ascetic), and the unique inverted cone-shaped usnisa is surmounted by a gem radiance. Most often in Baphuon art, whether the sculptures are in commemoration of prior rulers, or of a god or goddess, they are depicted smiling, with powerful upper bodies, slender waists and are typically less monumental in scale than the sculptures of other Khmer periods. The Baphuon style is an understated yet sensuous treatment of the human body that is naturalistically rendered. They have not been encumbered by extensive ornamentation, yet lavish attention has been given to the details of the clothing and belts. The stylization of the back of the garment being higher in the back than the front is typical to the sculptures of the 11th century, Baphuon style, as is the thick proportionate modeling of the legs and ankles, that allowed the statues to be free standing. The lovely sculpture of a goddess or deified queen is elegantly proportioned and exhibiting the characteristic harmony typical of the Baphuon style. Her face has a sweet gentle expression and her faintly smiling mouth is full and sensuous. The plaited vertical tresses of her hair are fashioned into a jatamukuta that is surmounted with a lotus medallion that is held in place by a similarly fashioned band. The curvature of her voluptuous body is realistically rendered, with full breasts, feminine abdomen and pronounced hips and buttocks. The snug fitting sarong is folded in narrow pleats, represented by incised linear striations that are meticulous in their uniformity. The excessive edges of the sarong are tied in a flat knot and form a fishtail fold that terminates at the hemline. An ornamental belt that secures the garment is positioned low on her hips implying elevated status. No attributes remain to more specifically identify her. These sculptures have excellent provenance; they were originally purchased in the 1960’s from a gallery on Madison Avenue in New York City. An expert on Southeast Asian art reviewed and authenticated these sculptures. Male Deity: Height w/o base 22.25”, with base 25” Female Deity: Height w/o base 23.5”, with base 26”   « Less

SOLD This is a fine sandstone head; in Bayon style 12th or early 13th century, of Lokeshvara also known as Avalokiteshavara. It is very idealized; it is probably a  More »

SOLD This is a fine sandstone head; in Bayon style 12th or early 13th century, of Lokeshvara also known as Avalokiteshavara. It is very idealized; it is probably a portrait of King Jayavarman VII, rather than a divine image. The meditative “Bayon smile” that so masterfully plays on his lips conveys great tenderness and brings a sense of light and life to the sculpture. The lowered eyelids curve naturalistically, and the incised pupils gaze down between the half opened eyelids. The realistically rendered eyebrows flow naturally into his forehead. The powerful forehead leads naturally in to his finely plaited hair, which is swept up in an elaborate mass of small triangular curls. The base of the chignon is decorated with an image of Amitabha, Lokeshvara’s spiritual father, shown seated in meditation. . In approximately 1219 Jayavarman VII’s reign came to an end and Indravarman II ascended the throne. As the new ruler he reintroduced Shivaism, spawning a period of intolerance that was unique in the Khmer civilization. Nearly all Buddhist images and statuary were destroyed making this fine example of the head of Lokeshvara very rare. . Condition: Very good, originally this head was part of a larger sculpture but was separated in ancient times. The lower tip of the left ear is missing and at the lower tip of the right ear a small chip is missing. The surface shows age, wear from the elements and deposits from burial. . The sculpture was originally purchased in June of 1965 from a gallery in Miami, Florida. It was reviewed and authenticated by an expert in Southeast Asian art. . Height without base 12.6” and 15.75” including the base; width 6.75”   « Less

Ancient stone corn cob made as an Inca effigy to ensure a healthy crop, from southern Peru, ca. 1400 to 1500 AD. Classic Inca in design, carved of brown/gray stone with  More »

Ancient stone corn cob made as an Inca effigy to ensure a healthy crop, from southern Peru, ca. 1400 to 1500 AD. Classic Inca in design, carved of brown/gray stone with vertical and horizontal ribs. 3-/8"H x 7/8" base diameter, intact/choice condition. Category:Inca Material:Stone Dimensions:3-/8"H x 7/8" base diameter Condition:Intact   « Less

Signed Renzo, 1995, a reproduction work of a designer, a replica of a listed well known sculptor, artist Lorenzo Ghiglieri, born in California about 1930's. This sculpture  More »

Signed Renzo, 1995, a reproduction work of a designer, a replica of a listed well known sculptor, artist Lorenzo Ghiglieri, born in California about 1930's. This sculpture has signature relief, Flying colors, Bronze Eagle carrying U.S. Flag, on oval green marble. it is painted by hand, in red, white and blue. on 2" thick marble, 21" h., 21" w. aged & excellent, with updated customized holding clip, loose nail on hole, and sturdy. extremely heavy, about 40 lbs. Example of A Fabulous Fine Art.   « Less

Hand carved mahogany Hippopotamus sculpture. Measures 35 inches long, 16 inches wide and 18 inches high. Mid to late 20th century Shipping extra. Connecticut residents and  More »

Hand carved mahogany Hippopotamus sculpture. Measures 35 inches long, 16 inches wide and 18 inches high. Mid to late 20th century Shipping extra. Connecticut residents and buyers picking up in Connecticut add 6.35% state sales tax. Buyers outside the USA are responsible for any taxes,tariffs or customs that might apply. *** If you wish to see examples of similar items we have sold and/or appraised please go to our affiliate site www.OneofaKindAntiques.com and click the Archives / Homepage logo ***   « Less

USA Circa 1930's A classically inspired bronze bust of American, more specifically New Jersey artist, Maxwell Simpson. This almost solid bronze bust of Mr. Simpson sat atop  More »

USA Circa 1930's A classically inspired bronze bust of American, more specifically New Jersey artist, Maxwell Simpson. This almost solid bronze bust of Mr. Simpson sat atop his New Jersey home for well over a half a Century. Maxwell Stewart Simpson was born in September of 1896. He began his formal training at the National Academy of Design and later attended classes at the Art Students League. In the early 1920's Simpson traveled to Europe and studied in France, Italy and England, often painting portraits for room and board. He also exhibited extensively while in Europe. He returned to America and further developed his own style a blending of Modernism and Realism.   « Less

sold Bach German Composer, Italian bust incised, white plaster, attractive & decorative. Label, Italy. excellent condition. art deco square base. 11" h., 7" w. Designer's  More »

sold Bach German Composer, Italian bust incised, white plaster, attractive & decorative. Label, Italy. excellent condition. art deco square base. 11" h., 7" w. Designer's delight.   « Less

Pieta Michaelangelo 1989, made in Italy,Stunning bisque. several etched, stamp marks, neck,back, labeled, the Franklin Mint. Intricate, delicate, hand crafted. 10.5 inch h.  More »

Pieta Michaelangelo 1989, made in Italy,Stunning bisque. several etched, stamp marks, neck,back, labeled, the Franklin Mint. Intricate, delicate, hand crafted. 10.5 inch h. x 9.5 inch w. excellent condition.   « Less

Erotic Bronze Carl Kauba, Vienna Sumptuous bronze with system representing an young woman draped in a toga By opening the node forming staples on the front of the toga, a  More »

Erotic Bronze Carl Kauba, Vienna Sumptuous bronze with system representing an young woman draped in a toga By opening the node forming staples on the front of the toga, a clever mechanism allows the automatic opening of the toga, revealing the nudity of the young woman Large smoothness of the details and superb modelled body. Superb double patinates, brown and gilded Very beautiful state Total height: 21 cm Signed C Kauba Base engraved: “aradi versenyegylet, 1913 okt 18” Reference Bermans volume II Austria, Vienna, 1913 Illustrated page 87 in Eros Secret   « Less