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As implied by its short duration, the Northern Qi Dynasty was a turbulent time in the vast history of China. Locusts plagued the lands, ruining the crops. Hunger and ethnic More »
As implied by its short duration, the Northern Qi Dynasty was a turbulent time in the vast history of China. Locusts plagued the lands, ruining the crops. Hunger and ethnic feuding ravaged the population. Despite this unrest the arts continued to flourish, as witnessed by this extraordinary powerful representation of a bull. The animal’s stance is assertive, with its four legs positioned firmly on the corners of the integral rectangular plinth. The head is raised, with the mouth slightly ajar, as if warning off a potential aggressor. The figurine is in excellent condition with considerable traces of the original red polychromy. The expertly modeled horns create a striking silhouette, contrasting with the sheer bulk of the bull’s body. There is considerable attention to detail in the modelling. Particularly striking is the elaborate harness with medallions, used to shackle this powerful animal.During this period sculptural effigies of domesticated animals were often interred in the tombs of the nobility and elite members of the social hierarchy. Created in all media, these sculptures accompanied the spirit of the deceased into the afterlife. This bull effigy has served its eternal purpose well. Today, it continues to nourish our souls with its beauty and grace. - (DL.2079)
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
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Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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This fabulous pair of pottery seated horses retain much of their original polychromy. The harnesses are carefully outlined in black and orange hues against their white More »
This fabulous pair of pottery seated horses retain much of their original polychromy. The harnesses are carefully outlined in black and orange hues against their white bodies. The saddles are boldly depicted, but the most charming detail is the elaborate purple scrollwork that ripples over the figurines. The mouths of these magnificent creatures are slightly ajar and it is clear from their finery that the represent the prized possessions of a member of the elite of Han society.Valued for their speed, strength and beauty, horses were one of the most admired animals in China. The horse has enabled man to swiftly transport massive armies into distant and neighboring territories in order to secure vast wealth and land. According to Chinese tradition, there existed a horse so powerful and beautiful that it was believed to be bequeathed from heaven. In early China, owning a horse required wealth and status, eventually becoming a sign of one's social standing. Equestrian activities only encouraged the indulgence of the wealthy few who owned horses. Naturally in Chinese art, the horse became a favorite subject of artists who tried to create visual representations of the animal that captured both its vitality and presence. During the Han Dynasty, the horse was rendered in miniature sculptural form to be interred with the dead. It was believed that the animal could assume its earthly powers and assist the deceased in the dangerous journey to the other world. This custom answered to the needs of a particular belief system regarding life after death and the spiritual world. - (DL.2081)
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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The overextension of the labor force during the Qin Dynasty would result in a popular uprising against the empire. In 206 B.C., Liu Bang, a Qin official, led an army composed More »
The overextension of the labor force during the Qin Dynasty would result in a popular uprising against the empire. In 206 B.C., Liu Bang, a Qin official, led an army composed of peasants and some lower nobility to victory and established his own dynasty in place, the Han. However, unlike the Qin, the Han would unify China and rule virtually uncontested for over four hundred years. It is during this time that much of what is now considered to be Chinese culture was first actualized. The bureaucracy started under the Qin was firmly established. The vast lands of China came under the firm grip of a central authority. Confucianism became the state ideology. Ancient histories and texts were analyzed and rewritten to be more objective while new legendary myths and cultural epics were transcribed.The Han era can also be characterized as one of the greatest artistic outpourings in Chinese history, easily on par with the glories of their Western contemporaries, Greece and Rome. Wealth, pouring into China from trade along the Silk Road, initiated a period of unprecedented luxury. Stunning bronze vessels were created, decorated with elegant inlaid gold and silver motifs. Jade carvings reached a new level of technical brilliance. But perhaps the artistic revival of the Han Dynasty is nowhere better represented than in their sculptures and vessels that were interred with deceased nobles. Called mingqi, literally meaning “spirit articles,†these works depicted a vast array of subjects, from warriors and horses to ovens and livestock, which were buried alongside the dead for use in the next world, reflecting the Chinese belief that the afterlife was an extension of our earthly existence.The term “Fang†is a prefix used to describe a squared-off or faceted variation of a normally rounded form, in this case the Hu wine storage vessel. The extensive polychrome painting that decorates the sides and the lid of this vessel, depicting scrolls and geometric motifs, is quite rare. Seldom do more than traces of pigments survive intact and in this example they retain much of their original brilliance. The patterns may have been inspired by contemporary embroidery and textile patterns, in tune with the fashion of the time. The beautiful Tao Tieh masks, depicting stylized dragons holding handles in their mouths, are noteworthy for their fine relief details and painted highlights. This wine vessel was found interred alongside an elite member of the Han social hierarchy. During the Han Dynasty, it was believed that the afterlife was an extension of our earthly existence. Thus, logically, if we require food and drink to nourish our bodies on earth, we require the same to nourish our souls in the next world. The wine once contained within this Fang Hu has vanished, perhaps consumed during the celestial feasts of the afterlife. While this vessel represents the sophisticated artistic and culinary traditions of the Han, it also symbolizes their religious and philosophical beliefs. - (DL.2082)
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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The great influence of the horse throughout the history of China cannot be over-estimated. In fact, the ancient unification of the Chinese Empire was due in large part to the More »
The great influence of the horse throughout the history of China cannot be over-estimated. In fact, the ancient unification of the Chinese Empire was due in large part to the horse. Their rapid mobility allowed for quick communication between far away provinces. Likewise, the military role of horses aided in the conquest and submission of distant lands. The need to import stronger, faster steeds from Central Asia (as opposed to the native Mongol pony) led to the creation of the Silk Road. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered, believed to be relatives of dragons, a theory reflecting their sacred status within society. During the Tang Dynasty, the adoration of the horse can be seen through their burial art. Horse models excavated from mausoleums of the period are among the most splendid and easily recognizable works of Chinese art.This gorgeous pair of horses still retain much of their original polychromy. The colours complement each other beautifully. The red horse has a white saddle, and it is likely that the white horse once had a red saddle which has since been lost. Both of these majestic creatures raise one leg on the air as they turn their heads to the side. Both of these features are eagerly sought after by collectors. These elegant sculptures are a testament to the admiration and adoration the Chinese had for these marvelous creatures. Although they were an integral part in the expansion and defense of the empire, they were equally regarded for their beauty and grace as revealed by these sculptures. - (DL.2084)
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Ancient Asian
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the More »
The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the horse. Their rapid mobility allowed for quick communication between far away provinces. Likewise, the military role of horses aided in the conquest and submission of distant lands. The need to import stronger, faster steeds from Central Asia (as opposed to the native Mongol pony) led to the creation of the Silk Road. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered, believed to be relatives of dragons, a theory reflecting their sacred status within society. During the Tang Dynasty, the adoration of the horse can be seen through their burial art. Horse models excavated from mausoleums of the period are among the most splendid and easily recognizable works of Chinese art.This gorgeous example still retains much of its original white paint. It may once have had a detachable saddle which is now lost to us. The horse raises one leg in the air as he turns his head to the side. Both these features are sought after by collectors. This elegant sculpture is a testament to the admiration and adoration the Chinese had for these marvelous creatures. Although they were an integral part in the expansion and defense of the empire, they were equally regarded for their beauty and grace as revealed by this sculpture. - (DL.2085)
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Ancient Asian
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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Price :
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The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the More »
The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the horse. Their rapid mobility allowed for quick communication between far away provinces. Likewise, the military role of horses aided in the conquest and submission of distant lands. The need to import stronger, faster steeds from Central Asia (as opposed to the native Mongol pony) led to the creation of the Silk Road. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered, believed to be relatives of dragons, a theory reflecting their sacred status within society. During the Tang Dynasty, the adoration of the horse can be seen through their burial art. Horse models excavated from mausoleums of the period are among the most splendid and easily recognizable works of Chinese art.This gorgeous example still retains much of its original red polychromy and the white saddle is delicately incised. The horse raises one leg in the air as he turns his head to the side. Both these features are sought after by collectors. This elegant sculpture is a testament to the admiration and adoration the Chinese had for these marvelous creatures. Although they were an integral part in the expansion and defense of the empire, they were equally regarded for their beauty and grace as revealed by this sculpture. - (DL.2086)
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Ancient Asian
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Vendor Details |
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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Price :
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The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the More »
The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the horse. Their rapid mobility allowed for quick communication between far away provinces. Likewise, the military role of horses aided in the conquest and submission of distant lands. The need to import stronger, faster steeds from Central Asia (as opposed to the native Mongol pony) led to the creation of the Silk Road. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered, believed to be relatives of dragons, a theory reflecting their sacred status within society. During the Tang Dynasty, the adoration of the horse can be seen through their burial art. Horse models excavated from mausoleums of the period are among the most splendid and easily recognizable works of Chinese art.This charming sculpture of a horse still retains much of its original white pigment intact. The orange painted saddle has been carefully incised to create a more realistic texture. Equally impressive is the fact that the saddle has been separately crafted; it may once have supported a rider who is now lost to us. The animal’s large eyes and friendly countenance have been expertly captured by the sculptor. This gorgeous horse is a testament to the admiration and adoration the Chinese had for these marvelous creatures. Although they were an integral part in the expansion and defence of the empire, they were equally regarded for their beauty and grace as revealed by this sculpture - (DL.2087)
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Ancient Asian
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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Price :
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The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the More »
The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the horse. Their rapid mobility allowed for quick communication between far away provinces. Likewise, the military role of horses aided in the conquest and submission of distant lands. The need to import stronger, faster steeds from Central Asia (as opposed to the native Mongol pony) led to the creation of the Silk Road. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered, believed to be relatives of dragons, a theory reflecting their sacred status within society. During the Tang Dynasty, the adoration of the horse can be seen through their burial art. Horse models excavated from mausoleums of the period are among the most splendid and easily recognizable works of Chinese art.This work is remarkable for the amount of the original pigment that has survived the ravages of time, specifically apparent on the orange saddle and black reins. Equally impressive is the fact that the saddle has been separately crafted; it may once have supported a rider who is now lost to us. This gorgeous sculpture is a testament to the admiration and adoration the Chinese had for these marvelous creatures. Although they were an integral part in the expansion and defense of the empire, they were equally regarded for their beauty and grace as revealed by this sculpture. - (DL.2088)
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Ancient Asian
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Vendor Details |
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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Price :
Contact Dealer
The overextension of the labor force during the Qin Dynasty would result in a popular uprising against the empire. In 206 B.C., Liu Bang, a Qin official, led an army composed More »
The overextension of the labor force during the Qin Dynasty would result in a popular uprising against the empire. In 206 B.C., Liu Bang, a Qin official, led an army composed of peasants and some lower nobility to victory and established his own dynasty in place, the Han. However, unlike the Qin, the Han would unify China and rule virtually uncontested for over four hundred years. It is during this time that much of what is now considered to be Chinese culture was first actualized. The bureaucracy started under the Qin was now firmly established. The vast lands of China were now under the firm grip of a central authority. Confucianism became the state ideology although the worship of Taoist deity remained widespread, both among the peasants and the aristocracy. Ancient histories and texts were analyzed and rewritten to be more objective while new legendary myths and cultural epics were transcribed.The Han era can also be characterized as one of the greatest artistic outpourings in Chinese history, easily on par with the glories of their Western contemporaries, Greece and Rome. Wealth, pouring into China from trade along the Silk Road, initiated a period of unprecedented luxury. Stunning bronze vessels were created, decorated with elegant inlaid gold and silver motifs. Jade carvings reached a new level of technical brilliance. But perhaps the artistic revival of the Han Dynasty is nowhere better represented than in their sculptures and vessels that were interred with deceased nobles. Called mingqi, literally meaning “spirit articles,†these works depicted a vast array of subject, from warriors and horses to ovens and livestock, which were buried alongside the dead for use in the next world, reflecting the Chinese belief that the afterlife was an extension of our earthly existence. Thus, quite logically, the things we require to sustain and nurture our bodies in this life would be just as necessary in our next life.During the Han Dynasty, sculptural effigies of animals were often interred in the tombs of elite members of the social hierarchy. These sculptures were intended to accompany the spirit of the deceased. This sculpture of a bull is remarkable for its massive size. The Han culture believed that the afterlife was a continuation of our earthly existence. Thus, logically, as humans require food to nourish our bodies on earth, so too will we require food to nourish our souls in the afterlife. Originally, this sculpture featured removable horns and a tail that, unfortunately, have been lost to us over time. However, even in this incomplete state, the evocative nature of this sculpture is uncanny. The charming facial structure of this bull is so naturalistic that one feels the presence of the animal possessing this sculpture. Created to serve as food for the afterlife, this work is more than a mere sculpture; it is a gorgeous memorial to the religious and philosophical beliefs of the Han Dynasty. - (DL.2090)
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual's social rank. In spite of More »
During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual's social rank. In spite of the limitations, a striking variety of tomb furnishings, known as mingqi, have been excavated. Entire retinues of ceramic figures - animals, entertainers, musicians, guardians - were buried with the dead in order to provide for the afterlife. Of the various types of mingqi, there is perhaps none more charming than the beautiful sculptures of elegant female courtiers, sometimes known as “Fat Ladies†for their fleshy faces. These gorgeous women reflect the appreciation of the female form during the Tang Dynasty. Such courtiers are described in the numerous love poems written during this era, considered a golden age of Chinese culture.In these examples, the ladies-in-waiting are depicted on horseback. Considerable traces of the original polychromy survive, in particular a dark pigment has been used to indicate the saddle and the reins. The high status of the riders is indicated by the delicate floral motifs which adorn their long-sleeved dresses. Their hair is fashionably arranged in two different styles. Such women may represent wives, princesses, or attendants. Their beauty inspires us as we are transported back to another time. These gorgeous sculptures have been to the next world and returned to our modern era to tell us their tale. They speak of the enormous wealth and sophisticated culture of the Tang Dynasty, one of the greatest periods of artistic creation in human history. - (DL.2093)
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Ancient Asian
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Barakat Gallery |
405 North Rodeo Drive |
Beverly Hills |
California-90210 |
USA |
Email : barakat@barakatgallery.com |
Phone : 310.859.8408 |
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