Height-35", Width-36 3/8", Really interesting solid maple antique mirror from an English washstand with beautiful English tiles circa 1910.

Height-35", Width-36 3/8", Really interesting solid maple antique mirror from an English washstand with beautiful English tiles circa 1910.   « Less

Origin: Egypt (Sinai) Circa: 1600 BC to 1100 BC Collection: Egyptian Medium: Faience Most Ancient Egyptian beads were made of faience, a glass-composite glaze which was  More »

Origin: Egypt (Sinai) Circa: 1600 BC to 1100 BC Collection: Egyptian Medium: Faience Most Ancient Egyptian beads were made of faience, a glass-composite glaze which was introduced as early as the Pre-Dynastic period. According to Egyptologists, such beads were made on an axis, probably of thread, which would burn up during firing, leaving a hole. Disc, ring and tubular beads were made by coating the axis with the unfired body-paste, rolling the cylinder to an even diameter on a flat surface, and then scoring it with a knife into sections of the desired length. Other shapes, such as ball beads, were rolled between the hands and perforated while still wet with a stiff point such as a wire needle. The beads were then dried, coated with glaze (if the glaze had not already been mixed with the paste), and fired. The firing process often gave the beads a beautiful translucent quality. The majority of faience beads are blue or green in color, but black, red, yellow and white ones were also produced, especially in the New Egyptian Kingdom. In the art of Ancient Egypt, we see lovely women adorned with such jewels. To wear these beads today is to follow in the royal tradition of Nefertiti and Cleopatra. - (FJ.4611)   « Less

In Israel, as in other ancient nations, it was customary to dedicate persons or objects to sacred use by anointing them with oil. Thus Samuel anointed Saul king, as Moses had  More »

In Israel, as in other ancient nations, it was customary to dedicate persons or objects to sacred use by anointing them with oil. Thus Samuel anointed Saul king, as Moses had hallowed the tabernacle and Aaron the high priest before, and Abraham had sanctified Isaac. This simple yet charming vessel exudes an energy of the ages, glowing from within its surface, richly patinated by the fingerprints of history. Such a vessel would have been a necessity in the ancient world to contain and transport precious oils and unguents for ritual or daily usage. Although its original contents have long disappeared, the energy of those vanished lives is still contained within this vessel. This jug was once a vital, indispensable part of everyday life in the ancient world. Today, it is even more valuable to our modern lives, not as a container, but as a symbol of the past. This jug holds history inside, it reminds us of the lives, the joys and struggles, the triumphs and defeats, of those who came before us. Whose hands might have held it so long ago we can only guess, yet the connection is a direct one between our age and theirs.   « Less

Origin: Sinai, Egypt Circa: 1600 BC to 1100 BC Collection: Egyptian Style: New Kingdom Medium: Faience Most Ancient Egyptian beads were made of faience, a  More »

Origin: Sinai, Egypt Circa: 1600 BC to 1100 BC Collection: Egyptian Style: New Kingdom Medium: Faience Most Ancient Egyptian beads were made of faience, a glass-composite glaze which was introduced as early as the Pre-Dynastic period. According to Egyptologists, such beads were made on an axis, probably of thread, which would burn up during firing, leaving a hole. Disc, ring and tubular beads were made by coating the axis with the unfired body-paste, rolling the cylinder to an even diameter on a flat surface, and then scoring it with a knife into sections of the desired length. Other shapes, such as ball beads, were rolled between the hands and perforated while still wet with a stiff point such as a wire needle. The beads were then dried, coated with glaze (if the glaze had not already been mixed with the paste), and fired. The firing process often gave the beads a beautiful translucent quality. The majority of faience beads are blue or green in color, but black, red, yellow and white ones were also produced, especially in the New Egyptian Kingdom. In the art of Ancient Egypt, we see lovely women adorned with such jewels. To wear these beads today is to follow in the royal tradition of Nefertiti and Cleopatra. - (FJ.4612)   « Less

In Israel, as in other ancient nations, it was customary to dedicate persons or objects to sacred use by anointing them with oil. Thus Samuel anointed Saul king, as Moses had  More »

In Israel, as in other ancient nations, it was customary to dedicate persons or objects to sacred use by anointing them with oil. Thus Samuel anointed Saul king, as Moses had hallowed the tabernacle and Aaron the high priest before, and Abraham had sanctified Isaac. This simple yet charming vessel exudes an energy of the ages, glowing from within its surface, richly patinated by the fingerprints of history. Such a vessel would have been a necessity in the ancient world to contain and transport precious oils and unguents for ritual or daily usage. Although its original contents have long disappeared, the energy of those vanished lives is still contained within this vessel. This jug was once a vital, indispensable part of everyday life in the ancient world. Today, it is even more valuable to our modern lives, not as a container, but as a symbol of the past. This jug holds history inside, it reminds us of the lives, the joys and struggles, the triumphs and defeats, of those who came before us. Whose hands might have held it so long ago we can only guess, yet the connection is a direct one between our age and theirs.   « Less

In Israel, as in other ancient nations, it was customary to dedicate persons or objects to sacred use by anointing them with oil. Thus Samuel anointed Saul king, as Moses had  More »

In Israel, as in other ancient nations, it was customary to dedicate persons or objects to sacred use by anointing them with oil. Thus Samuel anointed Saul king, as Moses had hallowed the tabernacle and Aaron the high priest before, and Abraham had sanctified Isaac. This simple yet charming vessel exudes an energy of the ages, glowing from within its surface, richly patinated by the fingerprints of history. Such a vessel would have been a necessity in the ancient world to contain and transport precious oils and unguents for ritual or daily usage. Although its original contents have long disappeared, the energy of those vanished lives is still contained within this vessel. This jug was once a vital, indispensable part of everyday life in the ancient world. Today, it is even more valuable to our modern lives, not as a container, but as a symbol of the past. This jug holds history inside, it reminds us of the lives, the joys and struggles, the triumphs and defeats, of those who came before us. Whose hands might have held it so long ago we can only guess, yet the connection is a direct one between our age and theirs.   « Less

Height-41", Width-23 1/8", Nice mahogany mirror with pierced top, and fluted center circa 1940s.

Height-41", Width-23 1/8", Nice mahogany mirror with pierced top, and fluted center circa 1940s.   « Less

Origin: Sinai, Egypt Circa: 1600 BC to 1100 BC Collection: Egyptian Style: New Kingdom Medium: Faience Most Ancient Egyptian beads were made of faience, a  More »

Origin: Sinai, Egypt Circa: 1600 BC to 1100 BC Collection: Egyptian Style: New Kingdom Medium: Faience Most Ancient Egyptian beads were made of faience, a glass-composite glaze which was introduced as early as the Pre-Dynastic period. According to Egyptologists, such beads were made on an axis, probably of thread, which would burn up during firing, leaving a hole. Disc, ring and tubular beads were made by coating the axis with the unfired body-paste, rolling the cylinder to an even diameter on a flat surface, and then scoring it with a knife into sections of the desired length. Other shapes, such as ball beads, were rolled between the hands and perforated while still wet with a stiff point such as a wire needle. The beads were then dried, coated with glaze (if the glaze had not already been mixed with the paste), and fired. The firing process often gave the beads a beautiful translucent quality. The majority of faience beads are blue or green in color, but black, red, yellow and white ones were also produced, especially in the New Egyptian Kingdom. In the art of Ancient Egypt, we see lovely women adorned with such jewels. To wear these beads today is to follow in the royal tradition of Nefertiti and Cleopatra. - (FJ.4613)   « Less

Origin: Egypt (Sinai) Circa: 1600 BC to 1100 BC Collection: Egyptian Medium: Faience-Jasper-Gold Exquisite necklace in the antique style composed of genuine Egyptian new  More »

Origin: Egypt (Sinai) Circa: 1600 BC to 1100 BC Collection: Egyptian Medium: Faience-Jasper-Gold Exquisite necklace in the antique style composed of genuine Egyptian new kingdom faience beads strung with genuine Egyptian new kingdom carnelian and jasper vase-shaped beads and an 18 karat gold clasp. With its rich colors and elegant form, this necklace is exactly like those worn by the Egyptian nobility of the new kingdom. Jewels like this have been found in aristocratic tombs, considered among the most prized possessions of their owners. The brilliant blue faience is meant to protect against the evil eye, to keep the wearer safe from all unseen danger. The deep red jasper and carnelian is believed to give courage and to promote good health in general. As we place this superb jewel about our neck today, it is easy to imagine some ancient Egyptian princess doing exactly that centuries before. - (FJ.4629)   « Less

In the Israel of Biblical times, this vessel might have held ointments or perfumes, or perhaps an offering of wine or oil. As we hold it in our hands today, admiring its  More »

In the Israel of Biblical times, this vessel might have held ointments or perfumes, or perhaps an offering of wine or oil. As we hold it in our hands today, admiring its simple beauty, we are aware of the touch of other hands long ago. Who might have held it when it was new? Were the dreams and emotions that guided their lives so very different from our own? The vessel's graceful unadorned shape appeals as much to the contemporary eye as it did to the culture that created it. Such artifacts, ordinary enough in their own age, connect us in an intimate way with the world of the past. In its presence, the centuries melt away and the imagination sets out on a journey of discovery. - (SP.311)   « Less