This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its low, flat base, this lamp probably derives from the Northern  More »

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its low, flat base, this lamp probably derives from the Northern Kingdom of Israel during the pre-Exilic Period. Its simple, pinch pot construction is a tribute to the antiquity of the design, likely having Canaanite origins. Made of terra cotta, this simple item would have held olive oil and probably a wick of plant fibers or textile, allowing it to provide light for a few hours perhaps. This lamp of open-bowl design would later give way to more elaborate, enclosed lamps of the Hellenistic and Roman periods.A metaphor for joy and prosperity, for hope, for life itself, lamps have illuminated the path of civilization for centuries. They have shed light on mundane and extraordinary events alike, guiding great thoughts through the night, and standing vigil with lonely passions. In the presence of this simple object, we are in touch directly with a vanished world, with the rooms and shrines once warmed by its glow, with the people who drew comfort from its light. Today it remains as an enduring symbol of man's desire to conquer the darkness. - (SP.394)   « Less

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its thickened, pedestal base, this lamp probably derives from the  More »

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its thickened, pedestal base, this lamp probably derives from the Southern Kingdom of Israel during the period of the Divided Kingdom. Its simple, pinch pot construction is a tribute to the antiquity of the design, likely having Canaanite origins. Made of terra cotta, this simple item would have held olive oil and probably a wick of plant fibers or textile, allowing it to provide light for a few hours perhaps. This lamp of open-bowl design would later give way to more elaborate, enclosed lamps of the Hellenistic and Roman periods.A metaphor for joy and prosperity, for hope, for life itself, lamps have illuminated the path of civilization for centuries. They have shed light on mundane and extraordinary events alike, guiding great thoughts through the night, and standing vigil with lonely passions. In the presence of this simple object, we are in touch directly with a vanished world, with the rooms and shrines once warmed by its glow, with the people who drew comfort from its light. Today it remains as an enduring symbol of man's desire to conquer the darkness. - (SP.397)   « Less

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its thickened, pedestal base, this lamp probably derives from the  More »

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its thickened, pedestal base, this lamp probably derives from the Southern Kingdom of Israel during the period of the Divided Kingdom. Its simple, pinch pot construction is a tribute to the antiquity of the design, likely having Canaanite origins. Made of terra cotta, this simple item would have held olive oil and probably a wick of plant fibers or textile, allowing it to provide light for a few hours perhaps. This lamp of open-bowl design would later give way to more elaborate, enclosed lamps of the Hellenistic and Roman periods.A metaphor for joy and prosperity, for hope, for life itself, lamps have illuminated the path of civilization for centuries. They have shed light on mundane and extraordinary events alike, guiding great thoughts through the night, and standing vigil with lonely passions. In the presence of this simple object, we are in touch directly with a vanished world, with the rooms and shrines once warmed by its glow, with the people who drew comfort from its light. Today it remains as an enduring symbol of man's desire to conquer the darkness. - (SP.398)   « Less

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its low, flat base, this lamp probably derives from the Northern  More »

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its low, flat base, this lamp probably derives from the Northern Kingdom of Israel during the pre-Exilic Period. Its simple, pinch pot construction is a tribute to the antiquity of the design, likely having Canaanite origins. Made of terra cotta, this simple item would have held olive oil and probably a wick of plant fibers or textile, allowing it to provide light for a few hours perhaps. This lamp of open-bowl design would later give way to more elaborate, enclosed lamps of the Hellenistic and Roman periods.A metaphor for joy and prosperity, for hope, for life itself, lamps have illuminated the path of civilization for centuries. They have shed light on mundane and extraordinary events alike, guiding great thoughts through the night, and standing vigil with lonely passions. In the presence of this simple object, we are in touch directly with a vanished world, with the rooms and shrines once warmed by its glow, with the people who drew comfort from its light. Today it remains as an enduring symbol of man's desire to conquer the darkness. - (SP.400)   « Less

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its low, flat base, this lamp probably derives from the Northern  More »

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its low, flat base, this lamp probably derives from the Northern Kingdom of Israel during the pre-Exilic Period. Its simple, pinch pot construction is a tribute to the antiquity of the design, likely having Canaanite origins. Made of terra cotta, this simple item would have held olive oil and probably a wick of plant fibers or textile, allowing it to provide light for a few hours perhaps. This lamp of open-bowl design would later give way to more elaborate, enclosed lamps of the Hellenistic and Roman periods.A metaphor for joy and prosperity, for hope, for life itself, lamps have illuminated the path of civilization for centuries. They have shed light on mundane and extraordinary events alike, guiding great thoughts through the night, and standing vigil with lonely passions. In the presence of this simple object, we are in touch directly with a vanished world, with the rooms and shrines once warmed by its glow, with the people who drew comfort from its light. Today it remains as an enduring symbol of man's desire to conquer the darkness. - (SP.401)   « Less

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its low, flat base, this lamp probably derives from the Northern  More »

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its low, flat base, this lamp probably derives from the Northern Kingdom of Israel during the pre-Exilic Period. Its simple, pinch pot construction is a tribute to the antiquity of the design, likely having Canaanite origins. Made of terra cotta, this simple item would have held olive oil and probably a wick of plant fibers or textile, allowing it to provide light for a few hours perhaps. This lamp of open-bowl design would later give way to more elaborate, enclosed lamps of the Hellenistic and Roman periods.A metaphor for joy and prosperity, for hope, for life itself, lamps have illuminated the path of civilization for centuries. They have shed light on mundane and extraordinary events alike, guiding great thoughts through the night, and standing vigil with lonely passions. In the presence of this simple object, we are in touch directly with a vanished world, with the rooms and shrines once warmed by its glow, with the people who drew comfort from its light. Today it remains as an enduring symbol of man's desire to conquer the darkness. - (SP.402)   « Less

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its thickened, pedestal base, this lamp probably derives from the  More »

This ancient lamp might have burned in the Holy Land at the height of the Israelite monarchy. Judging by its thickened, pedestal base, this lamp probably derives from the Southern Kingdom of Israel during the period of the Divided Kingdom. Its simple, pinch pot construction is a tribute to the antiquity of the design, likely having Canaanite origins. Made of terra cotta, this simple item would have held olive oil and probably a wick of plant fibers or textile, allowing it to provide light for a few hours perhaps. This lamp of open-bowl design would later give way to more elaborate, enclosed lamps of the Hellenistic and Roman periods.A metaphor for joy and prosperity, for hope, for life itself, lamps have illuminated the path of civilization for centuries. They have shed light on mundane and extraordinary events alike, guiding great thoughts through the night, and standing vigil with lonely passions. In the presence of this simple object, we are in touch directly with a vanished world, with the rooms and shrines once warmed by its glow, with the people who drew comfort from its light. Today it remains as an enduring symbol of man's desire to conquer the darkness. - (SP.403)   « Less

Height -64", Depth-21 1/2", Width- 39", Really nice heavily carved flame mahogany highboy with Bombay shaped base with French cabriole legs and shell carved center not  More »

Height -64", Depth-21 1/2", Width- 39", Really nice heavily carved flame mahogany highboy with Bombay shaped base with French cabriole legs and shell carved center not signed but more than likely Batesville Furniture Company.   « Less

Height-50 1/4", Depth-20 1/4", Width- 36 1/2", Cute mahogany Adams decorated high chest with short Sheraton fluted legs and beautifully hand painted flowers and bow knot  More »

Height-50 1/4", Depth-20 1/4", Width- 36 1/2", Cute mahogany Adams decorated high chest with short Sheraton fluted legs and beautifully hand painted flowers and bow knot center circa 1930.   « Less

Height- 51", Depth- 19", Width- 37", Dark mahogany Chippendale chest of drawers with bracket feet ,applied carved panel front and and solid brass hardware circa 1940s.

Height- 51", Depth- 19", Width- 37", Dark mahogany Chippendale chest of drawers with bracket feet ,applied carved panel front and and solid brass hardware circa 1940s.   « Less