Origin: Syria (Antioch) Circa: 286 AD to 310 AD Collection: Roman Medium: Bronze/Garnet/Coral This splendid coin is set in an 18-karat gold pendant and strung in a  More »

Origin: Syria (Antioch) Circa: 286 AD to 310 AD Collection: Roman Medium: Bronze/Garnet/Coral This splendid coin is set in an 18-karat gold pendant and strung in a necklace with two strands of garnet beads, two strands of coral beads and a central strand of green jasper beads. In the later Roman Empire, the more refined Classical tradition in jewelry was influenced by bold barbarian tastes to create a new and dramatic style. The emperors and empresses of Rome appeared in public wearing colorful jewels that brought together rare treasures from every corner of the Empire. This stunning necklace is very much in that dazzling tradition. It is meant for a woman who enjoys a touch of the dramatic in her life. - (FJ.2320)   « Less

Origin: Israel (Sebastia, Samaria) Circa: 98 AD to 244 AD Collection: Roman/Egyptian Medium: silver/glass/gold The beads are dated CA. 1900-1100 BC and were found in  More »

Origin: Israel (Sebastia, Samaria) Circa: 98 AD to 244 AD Collection: Roman/Egyptian Medium: silver/glass/gold The beads are dated CA. 1900-1100 BC and were found in Sinai. Most ancient Egyptian beads were made of faience, a glass-composite glaze which was introduced as early as the Pre-Dynastic period. According to Egyptologists, most beads were made on an axis, probably of thread, which would burn up during firing, leaving a hole. Disc, ring and tubular beads were made by coating the axis with the unfired body-paste, rolling the cylinder to an even diameter on a flat surface, and then scoring it with a knife into sections of the desired length. Other shapes, such as ball beads, were rolled between the hands and perforated while still wet with a stiff point such as a wire needle. The beads were then dried, coating with glaze (if the glaze had not already been mixed with the paste), and fired. The firing process often gave the beads a beautiful translucent quality. The majority of faience beads are blue or green in color, but black, red yellow and white ones were also produced, especially in the New Egyptian Kingdom. - (FJ.2438)   « Less

Origin: Mediterranean Circa: 98 AD to 117 AD Collection: Jewelry Style: Beaded Coin Necklaces Medium: Silver and Faience Most ancient Egyptian beads were made of  More »

Origin: Mediterranean Circa: 98 AD to 117 AD Collection: Jewelry Style: Beaded Coin Necklaces Medium: Silver and Faience Most ancient Egyptian beads were made of faience, a glass-composite glaze which was introduced as early as the Pre-Dynastic period. According to Egyptologists, most beads were made on an axis, probably of thread, which would burn up during firing, leaving a hole. Disc, ring and tubular beads were made by coating the axis with the unfired body-paste, rolling the cylinder to an even diameter on a flat surface, and then scoring it with a knife into sections of the desired length. Other shapes, such as ball beads, were rolled between the hands and perforated while still wet with a stiff point such as a wire needle. The beads were then dried, coating with glaze (if the glaze had not already been mixed with the paste), and fired. The firing process often gave the beads a beautiful translucent quality. The majority of faience beads are blue or green in color, but black, red yellow and white ones were also produced, especially in the New Egyptian Kingdom. - (FJ.2439)   « Less

Origin: Mediterranean Circa: 98 AD to 244 AD Collection: Jewelry Style: Beaded Coin Necklaces Medium: Silver and Faience Most ancient Egyptian beads were made of  More »

Origin: Mediterranean Circa: 98 AD to 244 AD Collection: Jewelry Style: Beaded Coin Necklaces Medium: Silver and Faience Most ancient Egyptian beads were made of faience, a glass-composite glaze which was introduced as early as the Pre-Dynastic period. According to Egyptologists, most beads were made on an axis, probably of thread, which would burn up during firing, leaving a hole. Disc, ring and tubular beads were made by coating the axis with the unfired body-paste, rolling the cylinder to an even diameter on a flat surface, and then scoring it with a knife into sections of the desired length. Other shapes, such as ball beads, were rolled between the hands and perforated while still wet with a stiff point such as a wire needle. The beads were then dried, coating with glaze (if the glaze had not already been mixed with the paste), and fired. The firing process often gave the beads a beautiful translucent quality. The majority of faience beads are blue or green in color, but black, red yellow and white ones were also produced, especially in the New Egyptian Kingdom. - (FJ.2440)   « Less

Origin: Israel (Sebastia, Samaria) Circa: 98 AD to 138 AD Collection: Roman/Egyptian Medium: silver/glass/gold Most ancient Egyptian beads were made of faience, a  More »

Origin: Israel (Sebastia, Samaria) Circa: 98 AD to 138 AD Collection: Roman/Egyptian Medium: silver/glass/gold Most ancient Egyptian beads were made of faience, a glass-composite glaze which was introduced as early as the Pre-Dynastic period. According to Egyptologists, most beads were made on an axis, probably of thread, which would burn up during firing, leaving a hole. Disc, ring and tubular beads were made by coating the axis with the unfired body-paste, rolling the cylinder to an even diameter on a flat surface, and then scoring it with a knife into sections of the desired length. Other shapes, such as ball beads, were rolled between the hands and perforated while still wet with a stiff point such as a wire needle. The beads were then dried, coating with glaze (if the glaze had not already been mixed with the paste), and fired. The firing process often gave the beads a beautiful translucent quality. The majority of faience beads are blue or green in color, but black, red yellow and white ones were also produced, especially in the New Egyptian Kingdom. - (FJ.2441)   « Less

Origin: Mediterranean Circa: 222 AD to 235 AD Collection: Jewelry Style: Beaded Coin Necklaces Medium: Bronze and Gold Additional Information: The coin was found in  More »

Origin: Mediterranean Circa: 222 AD to 235 AD Collection: Jewelry Style: Beaded Coin Necklaces Medium: Bronze and Gold Additional Information: The coin was found in Geresa, Jordan. The emperors of Rome knew how to make a dramatic entrance, dazzling the crowds with rich costumes and brilliant gems. They understood how to make a lasting impression on all who saw them. This gorgeous jewel, combining mellow bronze with radiant gold and the midnight black of onyx, is the perfect adornment for someone who appreciates a little drama in her life. - (FJ.2661)   « Less

Origin: Israel (Bethlehem) Circa: 527 AD to 565 AD Collection: Byzantine Medium: gold The historians of the later empire tell us that the emperors used to make dazzling  More »

Origin: Israel (Bethlehem) Circa: 527 AD to 565 AD Collection: Byzantine Medium: gold The historians of the later empire tell us that the emperors used to make dazzling public appearances arrayed in radiant jewels and bright gold. Set with a coin of one of history's most fascinating figures, Justinian the Great, this magnificent necklace continues in that imperial tradition. Adornment for those who don't mind standing out from the crowd. - (FJ.2862)   « Less

Origin: Geresa, Jordan Circa: 222 AD to 235 AD Collection: Jewelry Style: Roman Coin Pendant Medium: Bronze, Gold, Lapis Additional Information: This Superb Coin Has  More »

Origin: Geresa, Jordan Circa: 222 AD to 235 AD Collection: Jewelry Style: Roman Coin Pendant Medium: Bronze, Gold, Lapis Additional Information: This Superb Coin Has Been Set in an 18-karat Gold Pendant and Strung in a Necklace with Lapis Lazuli Beads and with a 14 karat Gold Clasp True beauty is timeless. The precious elements that make this necklace a unique work of art today would have caused it to be prized during Rome’s golden age. An imperial coin patinated by the hand of time is surrounded by the unfading brilliance of gold and the deep blue of lapis. With classical understatement, the necklace proclaims its enduring richness. Adornment for those who understand that beauty never goes out of style. - (FJ.3135)   « Less

Origin: Minted in Constantinople Circa: 527 AD to 565 AD Collection: Byzantine Style: Beaded Coin Necklaces Medium: Gold and Ruby Additional Information: The coin was  More »

Origin: Minted in Constantinople Circa: 527 AD to 565 AD Collection: Byzantine Style: Beaded Coin Necklaces Medium: Gold and Ruby Additional Information: The coin was found in Bethlehem, Israel. In the church of San Vitale in Ravenna, the emperor Justinian, his wife Theodora and their courts are depicted on mosaic panels, arrayed in splendid robes and dazzling jewels. Whether in Ancient Byzantium or the modern age, the opulent allure of gold and precious gems never goes out of fashion. On this elegant necklace, a golden token of Justinian reign is set amid the vibrant fire of rubies. Unquestionably luxurious, it makes a bold appeal to the senses. This is an adornment for those who know the value of understatement. - (FJ.3365)   « Less

Origin: Syria (Near Homs) Circa: 235 AD to 238 AD Collection: Roman Medium: Silver/Ruby/Gold Additional Information: This superb coin is mounted in a pendant of 22-karat  More »

Origin: Syria (Near Homs) Circa: 235 AD to 238 AD Collection: Roman Medium: Silver/Ruby/Gold Additional Information: This superb coin is mounted in a pendant of 22-karat gold set in a necklace of genuine ruby beads with a 14-karat gold clasp. That which is truly precious and beautiful transcends time. The rich gleam of precious jewelry delighted the Ancient Romans as much as it does our own age. On this glorious necklace, the confident image of the emperor Maximinus is set amid the radiance of gold and the rich, royal hues of ruby. Dramatic in its simplicity, it truly defines the term "classic". The person who wears it today will understand that sometimes the best way to make a statement is to say nothing at all. - (FJ.3366)   « Less