Height-69", Depth-18 1/4", Width-38 1/4", Incredible oversize English light burl walnut liquor cabinet with heavy brass Asian style hinges , mirorored interior with glass  More »

Height-69", Depth-18 1/4", Width-38 1/4", Incredible oversize English light burl walnut liquor cabinet with heavy brass Asian style hinges , mirorored interior with glass shelves, and pull out mirrored butlers tray, with wine holders built in the lower cabinet circa 1930s.   « Less

Shaped like an abstract bird,thisancientvotivesealwasdiscovered with a cache of similar artifacts along the shores of Lake Van. Evoking the dawn of Western culture, these  More »

Shaped like an abstract bird,thisancientvotivesealwasdiscovered with a cache of similar artifacts along the shores of Lake Van. Evoking the dawn of Western culture, these apparently were offerings at the shrine of some powerful nature god. The design that adorns them—of birds, animals, seated idols—probably stood in proxy for more costly sacrifices. Pressed into soft clay or wax, they would have created multiple images to win the favor of the god. It is possible that the bird, a recurring motif, was associated with the idea of the soul. Carved with abstract simplicity but an observant eye toward nature, the stark visual appeal of this piece is timeless. These seals represent dreams, hopes and aspirations for health, success, and happiness that are as old as civilization itself.-(D.0064)Bird Effigy Votive Seal With An Intaglio - D.0064Origin: Lake Van, Anatolia Circa: 4000BC to 3000 BCDimensions:2"(5.1cm)highx2.875"(7.3cm)depth Collection: Near Eastern Style: Neolithic Medium: Dickite   « Less

Origin: Egypt Circa: 664 BC to 525 BC Collection: Egyptian Style: 26th Dynasty Medium: Faience The 26th Dynasty, also known as the Saite Period, is traditionally placed  More »

Origin: Egypt Circa: 664 BC to 525 BC Collection: Egyptian Style: 26th Dynasty Medium: Faience The 26th Dynasty, also known as the Saite Period, is traditionally placed by scholars at the end of the Third Intermediate Period or at the beginning of the Late Dynastic Period. In either case, the Saite Period rose from the ashes of a decentralized Egyptian state that had been ravaged by foreign occupation. Supported by the assistance of a powerful family centered in the Delta town of Sais, the Assyrians finally drove the Nubians out of Egypt. At the close of this campaign, Ashurbanipal’s kingdom was at the height of its power; however, due to civil strife back east, he was forced to withdraw his forces from Egypt. Psamtik I, a member of the family from Sais, seized this opportunity to assert his authority over the entire Nile Valley and found his own dynasty, the 26th of Egyptian history. Known as the Saite Period due to the importance of the capital city Sais, the 26th Dynasty, like many before it, sought to emulate the artistic styles of past pharaohs in order to bolster their own claims to power and legitimize their authority. The first examples of amulets appeared in Ancient Egypt as early as 4000 B.C. Believed to possess magical powers that protected the wearer or bestowed upon the properties they symbolized, amulets were worn both by the living as well as the dead. Throughout their evolution, talismans were crafted from a variety of materials including precious metals such as gold and silver, semiprecious stone like jasper and carnelian, as well as other more affordable glazed compositions such as faience. The particular powers of an individual amulet were based upon its specific shape, although the material and even the color of the charm could affect its magical abilities. While many of the amulets created to be worn by the living could also be worn after death, there also existed a specific group of charms that were made specifically to be placed upon the mummified remains of the deceased. All together, amulets represent an important class of Ancient Egyptian art that furthers our understanding of their complex religious beliefs.   « Less

This ancient votive seal was discovered with a cache of similar artifacts along the shores of Lake Van.Evoking the dawn of Western culture, these apparently were offerings at  More »

This ancient votive seal was discovered with a cache of similar artifacts along the shores of Lake Van.Evoking the dawn of Western culture, these apparently were offerings at the shrine of some powerful god. This unknown deity appears to have been associated with fertility and rebirth The design that adorns the of stood in proxy for more costly sacrifices. Pressed into soft clay or wax, they would have created multiple images to win the favor of the god. Carved with an abstract simplicity but an observant eye toward nature, the stark visual appeal of this piece is timeless These seals represent dreams, hopes and aspirations for health, success, and happiness that are as old as civilization itself. v-(D.0049) Engraved Votive Seal with an Intaglio D.00 49 Origin :Lake Van,Anatolia Circa: 4000 BC to 3000 BC Dimension1.75" (4.4cm) high x 1" (2.5cm) wide x 75"(1.9cm) depth Collection: Near Eastern Style: Neolithic Medium: Dickite   « Less

Height-88 1/2", Length 80", Width-48", Truly incredible all original matched pair of flame mahogany tester beds with heavy brass castors fluted and carved columns with bolt  More »

Height-88 1/2", Length 80", Width-48", Truly incredible all original matched pair of flame mahogany tester beds with heavy brass castors fluted and carved columns with bolt on rails and wood pegs circa 1850s.   « Less

This ancient votive seal was discovered with a cache of similar artifacts along the shores of Lake Van.Evoking the dawn of Western culture, these apparently were offerings at  More »

This ancient votive seal was discovered with a cache of similar artifacts along the shores of Lake Van.Evoking the dawn of Western culture, these apparently were offerings at the shrine of some powerful god. This unknown deity appears to have been associated with fertility and rebirth The design that adorns the of stood in proxy for more costly sacrifices. Pressed into soft clay or wax, they would have created multiple images to win the favor of the god. Carved with an abstract simplicity but an observant eye toward nature ,the stark visual appeal of this piece is timeless These seals represent dreams, hopes and aspirations for health, success ,and happiness that are as old as civilization itself. v-(D.0049) Engraved Votive Seal with an Intaglio D.0049 Origin: Lake Van,Anatolia Circa: 4000 BC to 3000 BC Dimension 1.75" (4.4cm) high x 1" (2.5cm) wide x 75"(1.9cm) depth Collection: Near Eastern Style: Neolithic Medium: Dickite   « Less

Height-93", Depth-89 5/8", Width-82 3/8", Incredible mahogany signed Henredon Folio Fourteen king size tester bed with fluted columns and Chinese Chippendale decoration  More »

Height-93", Depth-89 5/8", Width-82 3/8", Incredible mahogany signed Henredon Folio Fourteen king size tester bed with fluted columns and Chinese Chippendale decoration across the frieze. If you purchase this bed you get the mattress and springs free.   « Less

This ancient votive seal was discovered with a cache of similar artifacts along the shores of Lake Van.Evoking the dawn of Western culture,these apparently were offerings at  More »

This ancient votive seal was discovered with a cache of similar artifacts along the shores of Lake Van.Evoking the dawn of Western culture,these apparently were offerings at the shrine of some powerful god.This unknown deity appears to have been associated with fertility and rebirth The design that adorns the of stood in proxy for more costly sacrifices.Pressed into soft clay or wax, they would have created multiple images to win the favor of the god.Carved with an abstract simplicity but an observant eye toward nature,the stark visual appeal of this piece is timeless These seals represent dreams,hopes and aspirations for health,success,and happiness that are as old as civilization itself.v-(D.0049)Engraved Votive Seal with an Intaglio D.0049Origin:Lake Van,Anatolia Circa:4000BCto3000BCDimension1.75" (4.4cm) high x 1" (2.5cm) wide x 75"(1.9cm)depth Collection: Near Eastern Style:Neolithic Medium: Dickite   « Less

Height-43 5/8", Width-57 3/8", Another choice mahogany arched full size bed with light panel trim circa 1940s.

Height-43 5/8", Width-57 3/8", Another choice mahogany arched full size bed with light panel trim circa 1940s.   « Less

This ancient votive seal was discovered with a cache of similar artifacts along the shores of Lake Van.Evoking the dawn of Western culture,these apparently were offerings at  More »

This ancient votive seal was discovered with a cache of similar artifacts along the shores of Lake Van.Evoking the dawn of Western culture,these apparently were offerings at the shrine of some powerful god.This unknown deity appears to have been associated with fertility and rebirth The design that adorns the of stood in proxy for more costly sacrifices.Pressed into soft clay or wax,they would have created multiple images to win the favor of the god.Carved with an abstract simplicity but an observant eye toward nature,the stark visual appeal of this piece is timeless These seals represent dreams,hopes and aspirations for health,success,and happiness that area sold as civilization itself.v-(D.0049)Engraved Votive Seal with an Intaglio D.0049Origin:Lake Van,Anatolia Circa:4000BCto3000BCDimension1.75" (4.4cm) high x 1" (2.5cm) wide x 75"(1.9cm)depth Collection: Near Eastern Style:Neolithic Medium: Dickite   « Less