Pair of Paris porcelain Medicis vases decorated with a scene of musicians in a landscape, on a pink background. The handles are gilded with a female mask in a medallion, the  More »

Pair of Paris porcelain Medicis vases decorated with a scene of musicians in a landscape, on a pink background. The handles are gilded with a female mask in a medallion, the back and the base is finely decorated with gilded bunch of flowers and arabesques. Romantic period. Missing areas of gilding on the base. Very good condition. Charles X Period, Circa: 1830. Dim: W: 7,5 in - D: 5,1in - H: 15in. / Paire de vases de forme Medicis en porcelaine à fond rose, à décor de femmes et d'un musicien à la cornemuse. Les anses sont dorées avec des masques de femmes dans de petits médaillons. L'ensemble est décoré avec des motifs dorés de fleurs et arabesques. Période Romantique. Manque à la dorure sur la base. Epoque Charles X, Circa: 1830 Dim: L:19cm, P:13cm, H:38cm.   « Less

Ivory Rookwood Mexican Village design vase, crazed. The Rookwood mark is featured on the bottom with “XLIV” and “6762” directly underneath. Stands 5  More »

Ivory Rookwood Mexican Village design vase, crazed. The Rookwood mark is featured on the bottom with “XLIV” and “6762” directly underneath. Stands 5 1/2” tall. http://www.shop.aaaantiquemallsoh.com/Rookwood-Ivory-Mexican-Village-Vase-6762-I70187C7555.htm?categoryId=-1   « Less

Pair of green vases, decorated with gold and land lilys. Made of opal glass. France, 19th century. Ref.: 00797 Height[cm]:30 Diameter[cm]:18

Pair of green vases, decorated with gold and land lilys. Made of opal glass. France, 19th century. Ref.: 00797 Height[cm]:30 Diameter[cm]:18   « Less

A French GALLE vase. Purple. 20th century Ref.: 04521 Height[cm]:17.5 Width[cm]:8.5 Depth[cm]:5

A French GALLE vase. Purple. 20th century Ref.: 04521 Height[cm]:17.5 Width[cm]:8.5 Depth[cm]:5   « Less

A French GALLE vase, green and brown, fern design. 20th century Ref.: 04655 Height[cm]:41 Diameter[cm]:14

A French GALLE vase, green and brown, fern design. 20th century Ref.: 04655 Height[cm]:41 Diameter[cm]:14   « Less

Jas Devlin & Sons Cookstown stone ware pottery, is magnificent, very good aged, with imperfections. Incised mark, numbered 2 , on the top, visible on image # 4. earthen ware  More »

Jas Devlin & Sons Cookstown stone ware pottery, is magnificent, very good aged, with imperfections. Incised mark, numbered 2 , on the top, visible on image # 4. earthen ware colors, weights about 14 lbs. A fab finds!   « Less

• Maker: Amphora • Item: Orpheus in the underworld Vase • Circa: 1903 • Origin: Austria • Material: Jewelled enamel Pottery • Mark:  More »

• Maker: Amphora • Item: Orpheus in the underworld Vase • Circa: 1903 • Origin: Austria • Material: Jewelled enamel Pottery • Mark: see image for similar mark – as image but impressed and 2x lozenges with Amphora/Austria impressed to the sides and impressed numbers below – nice mark • Dimensions:8.25 inches / 21cm approx • Quality: Very good • Condition: Very Good • Price: £295 (sterling) / $455 approx – price excludes postage and insurance • Short History: Much of the collector interest in European ceramics from the early 20th century has been focused on western European countries, but a major art pottery movement reflecting the design elements of the Art Nouveau (Jugensdtil) and Secession periods during which it arose was burgeoning in what was then known as Bohemia. Traditionally, Amphora referred to large Greek storage vessels with an oval body, usually tapering toward the base, and with two handles extending from just below the lip to the shoulder. However, the area of central Europe now part of Austria and Czechoslovakia produced a very fine art pottery also known as Amphora from the late 19th century until the early 20th century. Amphora employed very innovative shapes including figurals especially during the Art Nouveau period when their female busts were sometimes monumental and reflected a level of detail very seldom seen in porcelain manufacturing. Amphora works also incorporated animals into their designs including serpents, parrots, and dragons, and other styles were unique to the Amphora manufacturers such as the "drop edge candle vase". Amphora designs began with a drawing or watercolor which captured the desired finish look of the piece, and once the design committee had given approval to the design it was given a style number which was subsequently impressed or inscribed on the bottom of Amphora works. Many Amphora designs were produced in a variety of sizes, with the larger and more substantial being more complex to make and commanding higher prices originally. As such, the larger size pieces such as female busts are less common since they were less affordable during their original production, so they are consequently rarer and more desirable for collectors. Generally recognized as the first and arguably the best of the Amphora manufacturers, Reissner, Stellmacher & Kessel was established in the Turn-Teplitz region of Bohemia in 1892. Partners Hans and Carl Reissner, Edward Stellmacher, and Rudolf Kessel after Kessel took over the remaining factories of Alfred Stellmacher. This area of central Europe was close to Dresden, Germany and benefited from the long tradition of ceramics manufacturing among the peoples of eastern Germany. The ceramics Reissner and his 2 partners produced was known for its unique styles and the interesting glazes they used to create what became known as "Amphora" pottery or simply "Teplitz." Reissner, Stellmacher & Kessel (R. St. K.) displayed their work in America for the first time at the 1893 Chicago World's Fair where they were awarded a best in show prize and first attracted the attention of the American buying public. In 1897, R. St. K. produced began art pottery vases in the style of Grueby and Rookwood, but with more elaborate and Art Nouveau and Jugensdtil influenced designs. The partners Reissner, Stellmacher, and Kessel enjoyed business and artistic success and again took top honors at the St. Louis World's Fair in 1904, but in 1905 at which time Stellmacher left the firm to establish his own company under his own name. The original firm continued to operate as the Reissner & Kessel Amphora Works and operated as such until Kessel also left in 1910. Subsequently, the original firm operated under the business name Amphora Werke Reissner while Stellmacher continued in operation only until 1912. Amphora Werke Reissner continued to produce fine Amphora art pottery through the Art Deco period and the years of World War II, at which time it was nationalized by the Czechoslovakian government in 1945. There were many other Amphora manufacturers who established operations in the Turn-Teplitz region, while imitators emerged elsewhere such as the Zsolnay factory in Pecs, Hungary which went on to create some innovative designs of their own. In addition to Reissner, Stellmacher, and Kessel marked works, one also sees very high quality works which were produced at the Imperial Technical School for Ceramics & Associated Applied Arts from which many of the Amphora designers and artisans graduated. Created in 1885 and continuing in operation through World War I until 1917, the school was a decorative arts and design academy which taught students how to sculpt clay in a manner that was both complex in technique and reflective of "themes" such as nature which was so influencing the Art Nouveau period. The manufacturers of the region benefited from the supply of talent produced at the school, and they contributed to its operation by providing lecturers and raw materials including clay with which the students worked. In the Waltraud Neuwirth book Art Nouveau in Blossom: Austria, a 1908 report describes the curriculum at the school as including "a plant in a given space, to be put into a stylized representation, with consideration for an effective special distribution. Model an animal in a stylized shape. Design a simple vessel with handle and plastic decoration represented in relief. Line up plant motifs to form a frieze and represent them plastically. Design and model a flower pot employing flow glazes. Sketch a figure (nude) after a live model." Ernst Wahliss of Turn-Wein, Austria was another early Amphora art pottery designer who enjoyed success beyond the confines of Europe, and Wahliss produced between 1897 and 1906 some of the most beautiful female Art Nouveau busts which are highly sought by collectors today given their beauty and technical complexity. Wahliss was somewhat unique among the Amphora manufacturers for having established his own retail shops in London and Vienna. Another well known, high quality Amphora manufacturer was the firm of Julius Dressler whose manufacturing operation was founded in Belia, Bohemia in 1883 and operated until 1944. During the early 20th century, Bohemia was part of the fading Austrian-Hungarian empire. Amphora was sold in the United States by finer decorating shops including Louis Comfort Tiffany of New York, who appreciated the innovative, hand crafted designs, vibrant colors, and unique glazes used by the Amphora manufacturers from Turn-Teplitz, Bohemia- now the town of Trovany in Czechoslovakia. Amphora works from this period were extraordinarily complex in manufacturing technique, often requiring as many as 10 firings, a series of decorators, and finishers to did the final style flourishes like gilding. Almost all European Amphora art pottery produced during this period was marked with various Amphora and factory marks including style numbers and in many cases artist's signatures such as Paul Dachsel whose "PD" marks decorated some of the work emanating from Reissner, Stellmacher, & Kessel from 1892 to 1905. Dachsel himself left Reissner in 1905 at the same time as Edward Stellmacher to form his own firm "PD Turn-Teplitz." icollect, London, UNITED KINGDOM • We specialize in rare and novelty antiques but also cater for all tastes and price ranges. • If you are unsure about any item or would like further details please contact us first, we respond to all E-Mails within 24 hours unless otherwise stated (i.e. if we are away and uncertain about having internet access available). We are always pleased to assist. • Buy with confidence we are a customer orientated company, and believe in rewarding regular clients who have supported us. • Every effort is made regarding the accuracy of descriptions, in the unlikely event that a description is wrong we will take responsibility and offer a full refund or settlement; if you are browsing and observe an item with an in-accurate description then please notify us, it will be received with thanks and be amended ASAP. We offer full guarantees on all items sold as being described accurately. • We offer an exceptional customer services policy and will do everything possible to resolve any issues. In the event that a client has simply changed their mind after receiving their purchase we will offer a full refund (less full postage / insurance) only after the item has been returned in good / unchanged condition. • Our new animated website will be launched early in the New Year • Items are ready to be dispatched usually within 24hrs of cleared payment • Prices given do not include Shipping and insurance   « Less

• Maker: Continental - probably Zsolnay • Item: Soft paste with majolica type glazes • Circa: 1860-1880 • Origin: Continental - probably  More »

• Maker: Continental - probably Zsolnay • Item: Soft paste with majolica type glazes • Circa: 1860-1880 • Origin: Continental - probably Hungarian • Material: Soft paste pottery with bright majolica glazes • Mark: Impressed mark - F.J. and 306 • Dimensions:8 inches / 20cm approx • Quality: Very good • Condition: Good - as with all soft paste pottery there is glaze rubbing/fritting to a few extremities - see images • Price: £460 (sterling) / $750approx – price excludes postage and insurance   « Less

A wonderful slip cast Vase designed by Francis C. Pope A wonderful slip cast Vase designed by Francis C. Pope of flared hexagonal shape with winged grotesque griffin  More »

A wonderful slip cast Vase designed by Francis C. Pope A wonderful slip cast Vase designed by Francis C. Pope of flared hexagonal shape with winged grotesque griffin handles in predominately blue and olive glazes, impressed mark, incised artist's initials and monogram of the assistant, Jane S Hurst, c1920 The Vase stands slights to one side, obviously a result during firing Circa: 1920 Origin: UK Mark: Impressed Mark Provenance: Private Estate / Lincolnshire Condition: Good 4.4 inches (11cm) max Width X 11 inches (28cm) Height approx icollect, London, UNITED KINGDOM • We specialize in rare and novelty antiques but also cater for all tastes and price ranges. • If you are unsure about any item or would like further details please contact us first, we respond to all E-Mails within 24 hours unless otherwise stated (i.e. if we are away and uncertain about having internet access available). We are always pleased to assist. • Buy with confidence we are a customer orientated company, and believe in rewarding regular clients who have supported us. • Every effort is made regarding the accuracy of descriptions, in the unlikely event that a description is wrong we will take responsibility and offer a full refund or settlement; if you are browsing and observe an item with an in-accurate description then please notify us, it will be received with thanks and be amended ASAP. We offer full guarantees on all items sold as being described accurately. • We offer an exceptional customer services policy and will do everything possible to resolve any issues. In the event that a client has simply changed their mind after receiving their purchase we will offer a full refund (less full postage / insurance) only after the item has been returned in good / unchanged condition. • Our new animated website will be launched early in the New Year • Items are ready to be dispatched usually within 24hrs of cleared payment • Prices given do not include Shipping and insurance   « Less

Mint condition--no chips, cracks or repairs--on this unusual example of North Carolina Cole pottery. As shown, this vase features a rainbow glaze on redware clay and has its  More »

Mint condition--no chips, cracks or repairs--on this unusual example of North Carolina Cole pottery. As shown, this vase features a rainbow glaze on redware clay and has its original Souvenir of Portland, Maine label. This is certainly an example of North Carolina art pottery and we attribute it to CC Cole. This vase measures 4 3/4" Tall and, again, is free of damage. There is a cork on the inside which we cannot remove and we are guessing that the piece originally was a jar. An interesting piece for your collection.   « Less