Price :
$495.00
A rare, original, signed sepia toned photo of the world famous, legendary jazz drummer Gene Krupa! This photo and signature was obtained at the Pleasure Beach Ballroom, More »
A rare, original, signed sepia toned photo of the world famous, legendary jazz drummer Gene Krupa! This photo and signature was obtained at the Pleasure Beach Ballroom, Stratford, Connecticut when Krupa and his band played there in the late 1940’s. It is in outstanding original condition with no tears or restorations, just a very small surface “skinâ€, about ¼†x 1/2â€, in the very bottom right corner where there was probably a piece of tape removed a very long time ago. See close-up photo. This is a 1946 MCA (Music Corporation of America) promo photo from the James Hegsmann photo studio in New York, see close-up photos. We have also photographed it in reflective light so you can see the reflections of the sepia ink and have no doubt of its authenticity, see last photo! This fantastic original Big Band photo is sold in a circa 1970 brass plated metal frame; as it has been for the past 40 years. We will remove it from the frame and safely pack it separately for shipping. A truly rare and wonderful piece! Museum piece!
Gene Krupa
From Wikipedia, the free encyclopedia
Gene Krupa (January 15, 1909 – October 16, 1973) was an American jazz and big band drummer and composer, known for his highly energetic and flamboyant style.[1
Early life & career
Eugene Bertram Krupa was born in Chicago, the youngest of Anna (Oslowski) and Bartłomiej Krupa's nine children. Krupa's father, Bartłomiej, was an immigrant from Poland, and his mother, Anna, was born in Shamokin, Pennsylvania. His parents were very religious and had groomed Gene for the priesthood. He spent his grammar school days at various parochial schools and upon graduation, attended St Joseph's College for a year, but later decided it was not his vocation. He studied with Sanford A. Moeller and began playing professionally in the mid 1920s with bands in Wisconsin. He broke into the Chicago scene in 1927, when he was picked by MCA to become a member of "Thelma Terry and Her Playboys," the first notable American Jazz band (outside of all-girl bands) to be led by a female musician. The Playboys were the house band at The Golden Pumpkin nightclub in Chicago and also toured extensively throughout the eastern and central United States.[citation needed]
He made his first recordings in 1927, with a band under the leadership of banjoist Eddie Condon and Red McKenzie: along with other recordings beginning in 1924 by musicians known in the "Chicago" scene such as Bix Beiderbecke, these sides are examples of "Chicago Style" jazz. The numbers recorded at that session were: "China Boy", "Sugar", "Nobody's Sweetheart" and "Liza". The McKenzie - Condon sides are also notable for being some of the early examples of the use of a full drum kit on recordings. Krupa's big influences during this time were Tubby Hall and Zutty Singleton. The drummer who probably had the greatest influence on Gene in this period was Baby Dodds, whose use of press rolls was highly reflected in Gene's playing.[2]
Krupa also appeared on six recordings made by the Thelma Terry band in 1928[3] In 1934 he joined Benny Goodman's band, where his featured drum work made him a national celebrity. His tom-tom interludes on their hit "Sing, Sing, Sing" were the first extended drum solos to be recorded commercially.[4] In 1939, Gene Krupa and his Orchestra appeared in the Paramount movie Some Like It Hot, which starred Bob Hope and Shirley Ross, performing the songs "Blue Rhythm Fantasy" and "The Lady's in Love with You". He made a cameo appearance in the 1941 film, Ball of Fire, in which he and his band performed an extended version of the hit "Drum Boogie", sung by Barbara Stanwyck, which he had composed with trumpeter Roy Eldridge. In 1943, Krupa was arrested for possession of two marijuana cigarettes and was given a three-month jail sentence
The end of the swing era
As the 1940s closed, large orchestras fell by the wayside: Count Basie closed his large band and Woody Herman reduced his to an octet. Krupa gradually cut down the size of the band in the late 1940s, and from 1951 on led a trio or quartet, often featuring the multi-instrumentalist Eddie Shu on tenor sax, clarinet and harmonica. He appeared regularly with the Jazz At the Philharmonic shows. Along with Ball of Fire, he made a cameo appearance in the 1946 screen classic The Best Years Of Our Lives. His athletic drumming style, timing methods and cymbal technique evolved during this decade to fit in with changed fashions and tastes, but he never quite adjusted to the Be-Bop period.[6]
In 1954, Krupa returned to Hollywood, to appear in such films as The Glenn Miller Story and The Benny Goodman Story. In 1959, the movie biography, The Gene Krupa Story, was released; Sal Mineo portrayed Krupa, and the film had a cameo appearance by Red Nichols. Dave Frishberg, a pianist who played with Krupa, was particularly struck by the accuracy of one key moment in the film. "The scene where the Krupa character drops his sticks during the big solo, and the audience realizes that he's "back on the stuff." I remember at least a couple of occasions in real life when Gene dropped a stick, and people in the audience began whispering among themselves and pointing at Gene."[7]
He continued to perform even in famous clubs in the 1960s like the Metropole, near Times Square in New York City, often playing duets with African American drummer Cozy Cole. Increasingly troubled by back pain, he retired in the late 1960s and opened a music school. One of his pupils was Kiss drummer Peter Criss.[8] He occasionally played in public in the early 1970s until shortly before his death. Krupa married Ethel Maguire twice: the first marriage lasted from 1934–1942; the second one dates from 1946 to her death in 1955. Their relationship was dramatized in the biopic about him. Krupa remarried in 1959 (to Patty Bowler).
Krupa died of leukemia and heart failure in Yonkers, New York, aged 64.[9] He was buried in Holy Cross Cemetery in Calumet City, Illinois.
In the 1930s, Krupa prominently featured Slingerland drums. At Krupa's urging, Slingerland developed tom-toms with tuneable top and bottom heads, which immediately became important elements of virtually every drummer's set-up. Krupa developed and popularised many of the cymbal techniques that became standards. His collaboration with Armand Zildjian of the Avedis Zildjian Company developed the modern hi-hat cymbals and standardized the names and uses of the ride cymbal, the crash cymbal, the splash cymbal, the pang cymbal and the swish cymbal. One of his drum sets, a Slingerland inscribed with Benny Goodman's and Krupa's initials, is preserved at the Smithsonian museum in Washington, D.C.[citation needed]
Krupa was featured in the 1946 Warner Bros. cartoon Book Revue in which a rotoscoped version of Krupa's drumming is used in an impromptu jam session.
In 1937 Louis Prima's recording of "Sing, Sing, Sing (With a Swing)" by Benny Goodman and His Orchestra featuring Gene Krupa on drums was inducted into the Grammy Hall of Fame.
In 1959, The Gene Krupa Story was released theatrically in America.
In 1978, Krupa became the first drummer inducted into the Modern Drummer Hall of Fame.
Krupa was mentioned in the Simpsons episode "Hurricane Neddy", when Ned Flanders parents are being told they must control Ned, Ned's father responds "We can't do it man! That's discipline! That's like tellin' Gene Krupa not to go "Boom boom bah bah bah, boom boom bah bah bah, boom boom boom bah bah bah bah, boom boom tss!"".
Rhythm, the UK's best selling drum magazine voted Gene Krupa the third most influential drummer ever, in a poll conducted for its February 2009 issue. Voters included over 50 top-name drummers.
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