Circa 1870 Renaissance Victorian nightstand, half commode, burl and solid walnut, raised panels, full tuned and fluted columns, white marble top, gilt brass/ebonized teardrop  More »

Circa 1870 Renaissance Victorian nightstand, half commode, burl and solid walnut, raised panels, full tuned and fluted columns, white marble top, gilt brass/ebonized teardrop pull. 22.5” wide, 21” deep, 32.5” tall. Condition – excellent restored original finish, good replaced marble top. 661   « Less

Sterling silver serving (berry or preserve) spoon, Lion/T hallmark-Towle Silversmiths (1882-present), Rustic pattern (1895-), scrolled leaf motif, matching deep reprousse  More »

Sterling silver serving (berry or preserve) spoon, Lion/T hallmark-Towle Silversmiths (1882-present), Rustic pattern (1895-), scrolled leaf motif, matching deep reprousse scroll design at top of scalloped bowl. 7.75” long, 2.25” wide. Weight - 1.5 troy oz. Condition – overall great, some nicks in bowl. 553 - Towle Silversmiths (1882-present) began use of the Lion/T logo in 1890. - The Rustic pattern was designed in 1895.   « Less

Circa 1870 Renaissance Victorian nightstand, half commode, burl and solid walnut, ebonized trim, great incised carving on triple panels and top of door, full turned corner  More »

Circa 1870 Renaissance Victorian nightstand, half commode, burl and solid walnut, ebonized trim, great incised carving on triple panels and top of door, full turned corner columns, full panels and finished on all four sides, inset white marble top, incised initials-“PL” 20.5” wide, 18” deep, 30” tall. Condition – excellent cleaned/restored original finish, great patina/color, original marble. 675   « Less

Large 19th century counter top balance scales, “W&T Avery, Birmingham, England, Class B, to weigh 7lb”(marked four times), porcelain pedestal, solid brass-each  More »

Large 19th century counter top balance scales, “W&T Avery, Birmingham, England, Class B, to weigh 7lb”(marked four times), porcelain pedestal, solid brass-each piece impressed “3”, reticulated cast iron harp with scrolls, anthemion and pineapple motif, cast iron base-marked “Avery, & numbered”, glass plate/disc on left side for holding item to be measured, brass dish on right side. 33.5” tall, 24” wide, approx 10" deep. Condition – overall excellent, some glaze crazing on pedestal, missing the original flat porcelain plate on measuring arm(left side)-could be replaced with thick glass or brass plate of exactly two pounds to balance. 624 http://en.wikipedia.org/wiki/W_&_T_Avery_Ltd. - A great accessory for a large modern kitchen for weighing your dinner plate, etc.   « Less

Circa 1830 Classical Empire ottoman or footstool, solid mahogany, excellent curule form, reticulated bell flowers, classic scrolled anthenium leaf and rosette relief carving  More »

Circa 1830 Classical Empire ottoman or footstool, solid mahogany, excellent curule form, reticulated bell flowers, classic scrolled anthenium leaf and rosette relief carving on scrolled legs. 18" tall, 21" long, 16" wide. Condition – excellent, later finish, worn silk upholstery. 425   « Less

Circa 1860 Rococo Victorian gilt overmantle mirror, original two tone gilt finish, great rocaille medallion and reticulated scroll ivy crest and open brackets, gadroon  More »

Circa 1860 Rococo Victorian gilt overmantle mirror, original two tone gilt finish, great rocaille medallion and reticulated scroll ivy crest and open brackets, gadroon moulded frame with deep rocaille and scrolled bud motif. 33” wide, 63” tall, 9" deep at crest. Condition - great original gilt finish, shows nice patina/some wear. 381   « Less

Circa 19th century dresser box / jewel casket, CF Monroe, Meridan, Conn, Helmschmied swirl, Wavecrest, “Kelva” line, white opal glass, original paper label,  More »

Circa 19th century dresser box / jewel casket, CF Monroe, Meridan, Conn, Helmschmied swirl, Wavecrest, “Kelva” line, white opal glass, original paper label, handpainted, beautiful raised enamel white/lavender Wisteria decoration, raised gilt trim, two tone rose/pale green mottled background, original green silk lining, hinged brass rims. 5.5” dia, 3.5” dia. Condition – excellent, minor wear, original paper label and two original period illegible info labels. 647 - Circa 1890-1900. - “Kelva” ware is a signature product of C F Monroe Glass Co included in their Wave Crest line of Opal glass. - CF Monroe patterns were company designed and patented. This item has a rare original paper label. Concerning signatures…Monroe himself stated that his glass speaks for itself and therefore does not need signatures on every piece.   « Less

Sterling silver baby cup, Oneida, Engagement pattern, 1952, vermeil/gilt interior. 2” tall, 3.5” rim-handle. 1.8 troy oz. Condition – nicks around  More »

Sterling silver baby cup, Oneida, Engagement pattern, 1952, vermeil/gilt interior. 2” tall, 3.5” rim-handle. 1.8 troy oz. Condition – nicks around bottom corner. 480h   « Less

Circa 1840 Empire ottoman or footstool, flame mahogany, serpentine skirt, bracket feet. 17” square, 11” tall. Condition – old finish, has  More »

Circa 1840 Empire ottoman or footstool, flame mahogany, serpentine skirt, bracket feet. 17” square, 11” tall. Condition – old finish, has some veneer loss on corners. 572   « Less

Circa 1870 Renaissance Victorian pedestal cabinet, nightstand, or half commode, possibly Herter Bro’s, NYC, quilted ash front panels, birds eye maple, cherry  More »

Circa 1870 Renaissance Victorian pedestal cabinet, nightstand, or half commode, possibly Herter Bro’s, NYC, quilted ash front panels, birds eye maple, cherry banding/corners, rosewood escutcheons/keyholes, solid cherry secondary wood, unusual grey/rose color marble, fully finished interior, finished on all four sides, dovetailed top construction/under marble. 23.5” wide, 19.5” deep, 31” tall. Condition – excellent restored original finish, shows some crazing to finish, original marble and pulls. 652 - Exceptional construction and finish work of the finest veneers possibly by Herter Brothers, NYC or other equally fine cabinetmaker. - This piece has cherry mouldings, inlaid champhered corners and banded panels. - This would make a great pedestal for a marble/bronze centerpiece as it is finely finished on all four sides to set in position for viewing on all four sides.   « Less