Abel Lura “Meditation” Etching The etching is on hand-made, laid paper and with large, full margins as published in Paris in 1875. Signed in the plate by both  More »

Abel Lura “Meditation” Etching The etching is on hand-made, laid paper and with large, full margins as published in Paris in 1875. Signed in the plate by both Lurat and Vely along the lower plate-mark. Etching measures 12 .50 by 6 inches This is in good condition.   « Less

Rembrandt - Lieven Willemsz van Coppenol Etching - 1658 This has a vintage watermark and is on vintage paper. The outside of the plated image has a few wrinkles and spots  More »

Rembrandt - Lieven Willemsz van Coppenol Etching - 1658 This has a vintage watermark and is on vintage paper. The outside of the plated image has a few wrinkles and spots but the plated image is in great condition. Reference (Bartsch 282) Budapest, Museum of Fine Arts for comparison References: Benesch 766. Gerszi 2005, nr. 208. MRK Historian Gary Schwartz has this measure at: Sheet measures 13.5'' by 11.5'' and plated image (but not plate size) at 9 2/8'' by 7.5''   « Less

Max Slevogt “der Bildermann #1” Original Lithograph Here we have Max Slevogt “der Bildermann” Original Lithograph, printed on Laid paper  More »

Max Slevogt “der Bildermann #1” Original Lithograph Here we have Max Slevogt “der Bildermann” Original Lithograph, printed on Laid paper measuring 7.25 by 9 inches (sheet size) and in good condition. Published in Berlin, 1918 of a small edition. Unsigned with the original tissue sheet with title and data still attached as published. Max Slevogt (October 8, 1868 – September 20, 1932) was a German Impressionist painter and illustrator print-maker , best known for his landscapes and portraits of genre . He was, together with Lovis Corinth and Max Liebermann, one of the foremost representatives in Germany of the plein air style. He was born in Landshut, Germany. From 1885–89 he studied at the Munich Academy, and his early paintings are dark in tone, exemplifying the prevailing style in Munich. In 1889 Slevogt visited Paris, where he attended the Académie Julian. In 1896, he drew caricatures for the magazines Simplicissimus and Jugend, and the next year he had his first solo exhibition in Vienna. Toward the end of the 1890s his palette brightened. He travelled again to Paris in 1900, where he was represented in the German pavilion of the world exhibition with the work Scheherezade, and was greatly impressed by the paintings of Édouard Manet. In 1901 he joined the Berlin Secession. A trip to Egypt in 1914 resulted in 21 paintings as well as numerous watercolors and drawings; on the return journey he stopped off in Italy. In June he acquired the country seat Neukastel. After the outbreak of World War I he was sent as official war painter to the western front. The war experience brought about a search for new style appropriate to the expression of the horrors of war. In the same year he became a member of the royal academy of the arts in Berlin. He designed scenery for the performance of Mozart’s Don Giovanni in the Dresdner state opera in 1924. In 1929 he was given a large 60th birthday exhibition in the Prussian academy of the arts in Berlin. During the last year of his life he worked on the religious mural Golgatha in the peace church in Ludwigshafen on the Rhine. It was destroyed by bombing raids during the first World’s War. Max Slevogt died in Rhenish Palatinate, Germany, in 1932. He is buried in the burial place of the family Finkler east of his house, the so called Slevogthof (with wall paintings) at Neukastel   « Less

Jockey - by Toulouse Lautrec from "The Circus" Numbered #159 out of 350 The printing of this edition was completed on November 22, 1990 at the presses of ORIGINAL  More »

Jockey - by Toulouse Lautrec from "The Circus" Numbered #159 out of 350 The printing of this edition was completed on November 22, 1990 at the presses of ORIGINAL ARTWORKS LTD. of ISLAND PARK, NEW YORK. This is in good condition. Sheet measures 14'' by 10 6/8''   « Less

Jan Antonides van der Linden II State by Rembrandt 1665. This is a second state pressed by Rembrandt himself. This is watermarked on antique woven paper showing treads  More »

Jan Antonides van der Linden II State by Rembrandt 1665. This is a second state pressed by Rembrandt himself. This is watermarked on antique woven paper showing treads from the 16th century which accompanies the rightful watermark for this age bearing the crown. This is in exceptional condition as this is one of several pieces found hidden behind an original Rembrandt painting. Exact measurements match an impression in the Rijksmuseum Amsterdam RP-P-OB-512 and RP-P-OB-512 was written on the back of this item. Measurement is *12.5 x 10.5 cm Watermark and measurement is precise.   « Less

Heinrich Wolf Color Etching Pencil Signed and Numbered 41 of 350 This is a unique and rare color etching. This is attached to a matte (cardboard) Sheet measures 17''  More »

Heinrich Wolf Color Etching Pencil Signed and Numbered 41 of 350 This is a unique and rare color etching. This is attached to a matte (cardboard) Sheet measures 17'' by 14.5'' Actual plated image is 13 7/8'' by 12''. This has a small stain on the right lower side but IT DOES NOT affect the plated image.   « Less

“A Breton Beggar” original etching drypoint on cream laid paper. Etched work (image) measures 8.50 by 5.50 inches with good margins. Published in “The  More »

“A Breton Beggar” original etching drypoint on cream laid paper. Etched work (image) measures 8.50 by 5.50 inches with good margins. Published in “The Portfolio”, 1883, signed in the plate and is in good condition.Mortimer Luddington Menpes (February 22, 1855 Port Adelaide, South Australia — April 1, 1938 Pangbourne), was a war artist and engraver, author, printmaker and illustrator. Menpes was born at Port Adelaide on 22 February 1855, the second son of property developer James Menpes, who with his wife, Ann, had settled in Australia in 1839.Mortimer Menpes “A Breton Beggar” original etching drypoint on cream laid paper. Etched work (image) measures 8.50 by 5.50 inches with good margins. Published in “The Portfolio”, 1883, signed in the plate and in good condition.   « Less

Abraham Francen, apothecary Portrait of Abraham Francen by Rembrandt Reference B273 -RP-P-OB-535 of III State Sheet size measures 11 6/8'' by 9 6/8'' Plated image is 8  More »

Abraham Francen, apothecary Portrait of Abraham Francen by Rembrandt Reference B273 -RP-P-OB-535 of III State Sheet size measures 11 6/8'' by 9 6/8'' Plated image is 8 2/8'' by 6 2/8'' This has a small stain far from plated image which can be professionally removed. Not noticeable if framed.   « Less

Henry Macbeth Raeburn “Greenwich Pensioners at Nelson Tomb” Etching Outstanding original etching “Greenwich Pensioners at the Tomb of Nelson”  More »

Henry Macbeth Raeburn “Greenwich Pensioners at Nelson Tomb” Etching Outstanding original etching “Greenwich Pensioners at the Tomb of Nelson” etched by Henry Macbeth Raeburn after a work in oil by the noted Sir J E Millais. This lovely work printed in sepia on antique laid paper measure 7.25 by 9 inches and inscribed below the etched work as state. Published by Magazine of Art, London. This is in good condition.   « Less

Original etched by William Unger after Rembrandt 1886. This was trimmed at one point about an inch from the plate and is an uneven cut. This is a good impression of sturdy  More »

Original etched by William Unger after Rembrandt 1886. This was trimmed at one point about an inch from the plate and is an uneven cut. This is a good impression of sturdy woven paper. Sheet size is 10'' by 8 2/8''. Actual plated image is 7 5/8'' by 5 7/8'' which is not the plate size.   « Less