Russians inherited the tradition of icon painting from Byzantium, where it began as an offshoot of themosaicandfresco tradition. During the 8th and 9th centuries, the iconoclastic controversy in the Orthodox Church called into question whether religious images were a legitimate practice or sacrilegious idolatry. Although the use of images was in theend permitted, athoroughdistinctionbetweenprofaneartintendedtodepictrealityandsacredartdesignedforspiritualcontemplation was established. That difference is one of the reasons that the artistic style of icons can seem so invariant. Certain kinds of balance and harmony became established as reflections of divinity, and as such they invited careful eproduction and subtle refinement rather than striking novelty. Although this philosophy resulted in a comparatively slowevolution of style, icon painting evolved considerably over the centuries. Unlike the pictorial traditions of the west that aspire towards increased realism and naturalism, the essence of Russian icon painting is not about the representation of physical space or appearance. Icons are images intended to aid in contemplative prayer, and in that sense, are more concerned with conveying meditative harmony than with laying out a realistic scene. They were not painted to please the eye of the mind, but to inspire reflection and self-examination. The Presentation of the Virgin-PF.4852Origin:Russia Circa: 1750 AD to 1900 ADDimensions: 12.25" (31.1cm) high x 10.75" (27.3cm)wide Collection: Russian Icons Style: Russian Orthodox Medium: Oil On Panel

Antiquities
Ancient Unknown