Felix Buhot "Matinée d'Hiver au Quai de l'Hôtel-Dieu" Original Etching




What a great impression, original etching with drypoint and roulette. Catalogue reference Bourcard/Goodfriend 123. This impression on cream laid paper is from the edition for "French Etchers", published in New York in 1884. Plate size: 9 1/4 x 12 1/4 inches (237 x 312mm). Signed in the plate (not by hand). Condition: GOOD , uneven margin as many were and with a very light crease in the paper, NOT NOTICABLE and a couple of defect in the out edge of the paper of no harm when professionally matted.




Félix Hilaire Buhot (July 9, 1847 - April 26, 1898) was a French painter and etcher-print-maker .Among the most original prints made in France during the last quarter of the nineteenth century are those by Félix Buhot. Along with artists like Charles Jacque and Felix Bracquemond, he is credited with reviving seventeenth century etching techniques in late nineteenth century art. However, he was highly experimental and regularly employed technical variables and regularly combined multiple processes to produce a single print. He used traditional techniques of etching, drypoint, and aquatint along with modern methods such as photomechanical reproduction. Buhot’s most notable contribution to the history of printmaking is a device he termed "marges symphoniques" (symphonic margins). Inspired by the marginal decorations of medieval manuscripts and eighteenth-century French book illustrations, Buhot developed two types of margins, etching the first on the same plate as the central subject and printing the second, called a “false margin,” from a separate plate.




In his many prints of city views and seascapes, Buhot was intent on creating a specific atmosphere, especially the effects of weather such as rain, snow, mist, and fog. He turned to his immediate neighborhood in and around the boulevard de Clichy in Montmartre, Paris, for inspiration for his prints of everyday city life. Buhot delighted in portraying the varied street life of the vibrant capital city not only in different seasons (Winter in Paris, 1879) but also in moments of public display, from a festive holiday celebration (National Holiday on the Boulevard de Clichy, 1878) to a somber death observance (Funeral Procession on the Boulevard de Clichy, 1887). His city views also include London scenes (Westminster Palace and Westminster Bridge, both of 1884). And Buhot's love for the sea is evidenced in the many prints exploring its ever-changing atmospheric conditions and moods. Buhot's boat trips to England inspired two of his most characteristic prints, A Pier in England and Landing in England, both from 1879.




With his experimental printmaking techniques, Buhot became one of the best-known, admired, and collected printmakers of his day. He achieved success for his prints at the annual Salons between 1875 and 1886, and a number of his works were published in leading periodicals and books. He also found critical acclaim and support for his prints in the United States, especially after his first one-man exhibition organized by the New York print dealer Frederick Keppel in 1888.

Art (paintings, prints, frames)